Munich

An Ivy League circus-team, Rascals, puts on a descriptive anti-terrorism continental stage-series about democracy doctors.

A nod to anti-terrorism entertainment/media, inspired by Munich (Spielberg)! 

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When terrorists destroyed the World Trade Center in NYC, the world became horrified at the notion that national infrastructure was no longer secure!

A group of college friends, part of a co-ed house at an Ivy League school called BG decided to form a special 'anti-terrorism theater' company called Rascal.

RASCAL: We seek to resurrect the old-world spirit of the vintage circus atmosphere.

Rascal members were gifted thespians/artists and very attractive and drew inspiration for their anti-terrorism theater from the film Munich.

The various members of Rascal included unusual and acrobatic circus-artists such as Satan, a masked master of villainy-characterization who liked to use costumes to create personifications of antisocial mania and anti-democracy circus demons for the anti-terrorism theater shows.

Another member of Rascal was a gorgeous woman named Shelbye who translated Catwoman into anti-terrorism themed stage-shows under the tent about the allure of vigilantism in the era of rogue terrorism.

RASCAL: We shall wield special toy water-guns for our stage-shows about the performance of dreams!

The Rascal circus-company roamed around North America and was being hailed as definitive resurrection of the classic spirit of the Western circus teams in Europe and the Americas that hoisted special art-dreams about acrobatic dialogue.

RASCAL: You might find allegories of our art in vintage comic book like old-world historic photos of sworded Ural warriors!

The anti-terrorism theater-shows put on by the Rascal circus-company inspired new historian studies of the nature and value of photography and cinema in this era of media-and-entertainment driven globalized dialogue!

SATAN: Our circus-company includes some youngsters who put on masks to portray mythical fairy-creatures with dogma.

Rascal stage-shows in North America included presentations of the various social paranoia surrounding confronting invading anti-Western terrorists seeping into the continent, a fear developed since 9/11, when NYC was fully invaded. Rascal performers, including Satan, tried to don masks/costumes and personas and acting-styles reflective of an inventive democracy-humor.

Many of the Rascal circus stage-shows featured the beautiful female members ironically not wearing masks or costumes but paraded as pedestrian fashion 'diplomats' in a way of consumerism/commerce/capitalism fantasies.

RASCAL: Terrorists displeased with Western art find flaw in the American notion of inventive theatrical politics.

"Circus is a grand Western/European/American tradition, but how does Rascal capture anti-terrorism poetry?" -VARIETY

RASCAL: Our masked/costumed male performers reveal a grand and confident presentation of anti-terrorism cinema.

CRITIC: Rascal shows ironically draw attention to market access to antisocial items on the mismanaged Internet!

SATAN (Rascal Captain): Our stage-shows and artworks represent a sincere anti-terrorism...diary; it's simply beautiful!

RASCAL: We don't suggest we're anti-terrorism political experts, but our nifty circus-toys represent modern democracy!

“Everyone’s worried about stopping terrorism. Well, there’s really an easy way: Stop participating in it.”

― Noam Chomsky

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"Money is everything" (Ecclesiastes)