The Artist*

A Story by Abishai100

A presentation of what comprises civilization imagery regarding the modern complexity of motion-driven dollhouses.

A vignette about the modern 'challenge' of preserving the backbone of culture-identified 'displacement' art, inspired loosely by High Art (Ally Sheedy). Enjoy!

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Toronto (North America) is where a mystic-artist lives to create symbolic works of pluralism and multiculturalism.

The Artist is a simple nerdy man named Amlan Satan, Algerian-American by descent and invested in modern forms of social expressions regarding pluralism and culture-exchange and is intrigued mostly in Toronto (North America) by Native-American tribal imagery, sports, Irish-Catholic ornaments, and Western ideas about capitalism.

He often presents himself in online dioramas about cyber-presentations regarding theatrics and maudlin-orientations about great culture-expressions of outlandish 'avatars' like villains or daring acrobats.

THE ARTIST: Where there's wealth of info regarding pluralism/traffic and culture-exchange, you find windows into dreams!

The Artist like simple stick-figure doodles depicting the nature and 'face' of romantic ideas/imagery regarding the encounters with differences in identity, personality, culture, and psychology --- ideas conducive to new era urban civilization folk-tales and even Gotham-esque comic books geared for kids/children.

THE ARTIST: There's a great 'longing' for field-dream portraits in continent-history expressions like Native-American dreams.

His wife happens to be a Toronto Moroccan fashion-model creating modern works about transplanting naturalism materials with synthetics for more eco-conservative views on the use/utility of Earth items like animal-furs.

THE ARTIST: I actually don't mind the use of natural history imagery in sports-teams iconography/symbolism for media.

However, the Artist remains steadfast in his conservative view that the maintenance of traditions in Western media must invoke seriously 'human' ideas about the transport of 'human' imagination as it relates to the protection/security of the posterity of multiple cultures/identities!

THE ARTIST: Works exploring political paradigm parallels between East-West governance reorientations invoke depression.

Fortunately, the hallmark of modern civilization hospitality has much to do with the re-presentation of great mixes or blends in cuisine and lifestyle, making iconic Toronto restaurant dishes/entrees and soups in North America (West) reflective of a modern capitalism investment in the 'experience' of travel.

A major Toronto investor likes this artist's cyber-work and tells him to consider re-presenting these 'mosaics' in an Ivy League academic setting for museum-representations of great culture-motion dollars for net-media!