Astrotrain-Club

A Story by Abishai100

A diorama about modern media/imaginarium designs catering to Western civilization (American) ideas regarding controlled doctorates.

An homage to Western/American sociocultural 'engineering' as it impacts modern dollars, inspired by the consumerism-symbolic 'design' robotics-dogma franchise, Transformers (Hasbro/Marvel/IDW).

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Notre Dame campus was filled with imaginarium-intrigue when the robotics project linked to MIT in New England was invested in new robot-toy design presentations regarding the iconic Transformers (Hasbro/Marvel/IDW) 'triple-changer' robot Astrotrain, which is a 'Decepticon' terrorist-robot who transforms mechanically into a space-shuttle and locomotive-train and represents a modern 'academic' view of the coordination of social aesthetics governing new age ideas about political stabilizations. Suddenly, Notre Dame saw various American intellectual fascination regarding the celebration of governance ideologies.

Meanwhile, in North America (USA), citizens were receiving the 3-stage Coronavirus (COVID-19) vaccinations/booster-shots administered to control the flow/spread of the deadly virus which was once sweeping across the planet, making new focus on the controls of socialized healthcare. This was advanced civilization management, and there'd be valued intellectual complements, such as the interests in modern institutional governance!

Amlan Satan (code-name: Snake-Eyes) was studying capitalism-labyrinths in the modern global network and how it impacted views/discussions on the nature of governance and political structures regarding the control of intellectual properties and engineering designs catering to commercial vanities and also studied piracy-worries (e.g., blood-diamond highways) affecting American rhetoric at institutions like Notre Dame.

SNAKE-EYES (Amlan Satan): We're investing in social studies of the designs of mechanics-functions governing labor/military.

The release of Western civilization iconography cinema (Angels & Demons) concurrently re-presented socialized views on the nature of ideological imagination in this developed social 'imaginarium' about proliferated 'dollar' rhetoric.

SNAKE-EYES: We hope this iconography regarding the management of intellectual designs creates real 'dogma' inspiration!

This new 'Astrotrain-Club' (AC) at Notre Dame was now sending scholars/students to the CERN Hadron-Collider linked to their MIT studies (New England) regarding the design/aesthetics of robotics-toys catering to a new age fascination with the 'shape' of military intelligence!

CERN: We have a blend of media-figure diplomacy with imaginarium presentations of the marketing of engineered dialogue.

Snake-Eyes and other figures of the AC (Astrotrain-Club) were featured in articles in Forbes and Popular Science regarding this new consumerism-related investment in North America (USA) regarding the design/aesthetics of popular functioning distances.

SNAKE-EYES: We use the market-fertility of Astrotrain and triple-functioning (robot, shuttle, train) imagery for dollars.

WHITE HOUSE: We know this now --- this imaginarium is a reflection of American focus on the 'dogma' behind democracy.

Now, America (USA) was a hub for the media-marketing of living democracy as it impacted the daily life of consumers webbed in the modern 'matrix' of designed community values, making toys and institutions like Notre Dame an 'imprint' of the presentation of real diamonds.

The Notre Dame campus had to regulate objective security measures to ensure all these valued sociopolitical 'imaginarium studies' didn't stimulate modern social fears/paranoia regarding the high-priority media-marketing of robotics/military-design related dogma.

SNAKE-EYES: This Astrotrain 'diadem' has become a modern presentation of the value of engineered American destiny.

As Notre Dame Fighting Irish college-football prepared for its exciting media-broadcast of its iconic rivalry-game against the Colorado Buffaloes, Snake-Eyes and the members/figures of CERN/MIT (Astrotrain-Club) considered how all this imaginarium-work would affect the future anthropological analysis of the aesthetics of engineered socialized diagrams!