JHU: Cyclonus/Dinosaur

Two Western civilization detectives are studying the interplay between design and dollars in a modern world driven by complex diet!

Is capitalism a war over images? This was inspired by Capitalism: A Love Story. Thanks for reading, 

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Western civilization is filled with images of canonized divinity, be you a Catholic or Protestant, facilitating robust dialogue!

Because life is so darn complex on Earth, we think about the geometry/designs of organics-dynamics and modern intelligence.

Modern globalized capitalism creates a special socialized demand for the iconography linked with the 'toys' of dollars.

Now, we know the rich history of uniformed civilization servicemen remind us of the stripes/patterns of regular dogma.

Two design-scientists at Johns Hopkins and CalTech (Amlan/Marcus) are studying robotics-design for media-markets and DNA.

AMLAN: We want to create academic/campus environments for 'liberal' robotics-design consciousness!
MARCUS: We want to stir a social fascination with the shape/color of scholarly campus-environment thinking.

At Johns Hopkins and CalTech, Amlan/Marcus evaluated the post-Orwellian modernism symbolic significance of a certain Transformers robot-avatar named Cyclonus, a wolfish first-knight of the terrorist Decepticon robots who transforms mechanically into a stealth jet-fighter used for advanced infiltrations in warfare/governance/traffic.

AMLAN: We're championing the social spirit behind organized activity like college soccer which represent democracy!
MARCUS: We're creating an 'aesthetic' for the evaluation for macro-sociological teamwork countering terrorism.

It's terrific how media-images of socialized activity (e.g., soccer) generates fan-spirit presentations of dollar-driven fashions.

AMLAN: We're comparing the evolution of 'Cyclonus' the war-robot from insect-robots representing ambition.
MARCUS: We want today's design scholars/students to appreciate the progression of capitalism rhetoric (e.g., ambition).

Amlan/Marcus are contacted by a new world group FOH/F-IRA (Friends of Humanity/Foreign Irish Republican Army) invested in inter-religious bridges to media-driven 'avatar' presentations of economics-reform dialogue and matrix reorientations for enhanced pluralism living in troubled areas in Western civilization (i.e., Northern Ireland). This is a war for the minds of the youth!

AMLAN: If the modern world is a 'grid' for choreographed lights and signals, then we're erecting a drumline.
MARCUS: Our concern is the contradictions between ambition/capitalism and governance/democracy!

JHU CRITIC: You may not be able to coordinate capitalism-analysis with design-aesthetics analysis in a system biased.

Despite criticism, Amlan/Marcus forwarded the advanced socialized notion in civilization that ideas about capitalism-governance could stir real dialogue about the accessibility of democratic thinking.

Well, you can't really argue that capitalism in all its flowery doesn't forward deep ideas about design indulgences, but can we really coordinate aesthetics with ideology in this age of toys...and dollars?

AMLAN: We're starting a new inter-campus media-network devoted to the dialogue surrounding design markets.
MARCUS: We're intersecting fashion with robotics with commerce with toys with media (e.g., Nickelodeon).

CALTECH CRITIC: You can't really choreograph 'toy designs' with commerce-flowery when consumerism is a biased system.

Despite such naysaying, Amlan/Marcus remained JHU (Johns Hopkins and CalTech analysts of what makes modern media presentations of commerce infiltrations a thing of great 'James Bond' folklore (e.g., The Wolf of Wall Street).

If antiterrorism requires a direct focus on the choreography of capitalism-design (and defense!), then perhaps Amlan/Marcus are like 'Batman-and-Robin' in Western civilization, forwarding ideas about the 'strange magic' of real socialized activity, traffic, and of course, depression.

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"Money is everything" (Ecclesiastes)