War of the Buttons (UK)

A Dickensian tale of UK magic involving social mobilization depth(s) linked to inter-religious 'thinking' wed to globalism-dramatic(s).

A heist-imagination(s) tale inspired by Killing Zoe (Roger Avary). Thanks so much for reading, 

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As the Russo-Ukraine War raged on in the streets of Eastern Europe, once 'solidified' by the 'collapsible' USSR, the displaced youth(s) re-presented a socialized distancing media-presentation of deep democratic worries.

Amlan Satan (code-name: 'Storm-Shadow') hoped to enlist displaced youth(s) from the Belfast (Northern Ireland) streets, for his special pickpocket(s) and weaponization-blueprint(s) circulation in the modern United Kingdom!

He'd stage a blood-diamond heist of a Belfast (UK) bank for theatrics about controlled commercial asset-governance in the modern-day UK (Belfast).

AMLAN SATAN: This is a 'War of Buttons' waged over the matrix-grid sector companies investment(s) in deep-complexity!

He's championing a special 'social aesthetic(s)' regarding deep commercial dialogue 'emerged' from a magazine-culture imagination, a signpost for nifty fashion-mythology.

INTERPOL: Blood-diamond corruption today threatens the world-gem exchange and makes for terrorism woe(s)!

Storm-Shadow is an expert-thief and stages a diamond-box heist at the Belfast (United Kingdom) financial institution in a demonstration-series about the geometry of underground intelligence linked to piracy-corruption(s) in global capital/ism.

Would such a real-life 'James Bond' of underworld-politics (theater) ornamentation(s) emerge as an 'advocate' of the vanities of socialized capitalism catalyzing shockingly 'accessible' forms of advertisement-Freudianism?

"The only way to win a war is to dream you can compete!" (Storm-Shadow)

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"Money is everything" (Ecclesiastes)