Menace: Dartmouth

A tale of Western media, featuring iconic avatars casting modernism chat(s) about 'real' dictionaries.

An homage to capitalism/media featuring folk-avatar fiction (Cyclonus (Transformers) and Undertaker (WWE)), inspired by Chappie. 

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Great intrigue was seen at Dartmouth, when robotics and media specialists were coordinating special student re-presentations of iconic 'avatars' symbolizing the flowery of the modern capitalism landscape.

DARTMOUTH: We're appreciating the casting of special toy designs and media-activity for this age of socialized activities.

The idea was to create a 'cinematic' re-presentation of traffic-IQ or species intelligence for modern activities like Bloomberg, Nickelodeon, and Discovery. They wanted to case 'ghost-tales' at Dartmouth about the symbolism behind perceptions of a great 'menace' threatening capitalism normalization for unusual forms of danger storytelling (e.g., The Terminator).

Meanwhile, a very iconic media star in the world of Pro-Wrestling named 'Undertaker' was invited to ambitious Dartmouth to perform a special re-presentation of what comprises 'physical' entertainment in this inventive age of socially networking television (e.g., MTV).

DARTMOUTH: By showcasing the 'design(s)/aesthetic(s)' of folk/avatar heroes and adversaries in capitalism imagination, we're forging the 'science(s)' of modernism-distance(s).

Well, this makes sense. For the time(s) of Planet Hollywood, which is really a stretch between the late-20th Century and new millennium, casting and casing the 'avatars' in folk-science(s) re-presenting media/capitalism dialogue and intelligence(s) stamp's America's socialized investment(s) in real dreams.

During the Undertaker visit to Dartmouth, the media-star test-drove an Inspector-Gadget enhanced auto while the Transformers Decepticon robot Cyclonus was being showcased for/by students as a model/Golem for futuristic paranoia. One student commented, "I'm not sure if all this 'energy' makes me less...or more 'distressed' about complexity!" 

This commenting/critic student, Amlan Satan, would go on to win the Pulitzer Prize in the West for a searing novel about the 'quality' of capitalism intrigue in the post-9/11 era, and everyone would wonder if that 'Dartmouth-Menace' intellectual investment in capitalism ghost-tales would be eventually remembered as a 'real' form of Western civilization divinity.

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"Money is everything" (Ecclesiastes)