Warriors of New America

A Story by Abishai100

A diorama about the developed face of the United States as celebrated through the visions of 'dockside' distancing!

An homage to American civilization, inspired by Gangs of New York (Martin Scorsese). Enjoy,

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What's the advent of the new America after 9/11, as we look back upon the street-history and spirit of the ethnic gangs that have painted our sense(s) of immigration and traffic-flow?

Is this a land of inventive customs and cinema or a land of fashion and consumerism filtered down to basic pedestrian convenience(s) imaginations such as Planet Hollywood and Starbucks and Men's Warehouse?

As America evolves, the new street aesthetic caters to daydreams about fantastic toys symbolizing a dynamic activity regarding wrought adventures and guerrilla capitalism (e.g., Toys 'R Us), but is all this worth its weight in post-9/11 gold?

A cyber-blogging vigilante named Sherlock is recording the traffic patterns of commercial vanities and painting this post-9/11 era as a 'giant mosaic' of inter-religious American traffic for real global fanzine storytelling. Is he reinventing what we'd consider as a modern Thomas Nast?

This cyber-blogger named Sherlock believes access to tech-toys and net-gadgets/wizardry can capture our true dreams regarding the designs that facilitate real traffic profits, and he's got to convince everyone capitalism's not worth destroying because of its peculiar beauty-magic.

SHERLOCK: You find fanzine images of socialized groups for cheerleading/sports symbolizing American hallmarks of TV.

Perhaps this 'Sherlock' will be challenged by the historic versions of artistic aesthetics such as those cast by street-writers like Jack Kerouac and Stephen King, but perhaps he can bring back more classic images/ideas about the arrows of natural destiny!

SHERLOCK: I think you find real incentive in promoting media-culture in stills of students engaged in public educations.

For this new era of direct journalism and media, images of pedestrian concentration represent our ideas about living life after 9/11, as we consider the links between culture-exchange and the photography of human business!

SHERLOCK: We find images of Eastern/Asian ninja combat in street-IQ since we're suddenly fascinated by multiculturalism!

Meanwhile, more Irish-Catholics immigrate to this 'New America' and remind us of the 'troubles' of distance(d) Northern Ireland (United Kingdom) where sectarian-violence reflects poverty and under-representation dowries.

SHERLOCK: I dream of cyber-Easter parade of inter-religious kids' eggs-art for 'New America' ideas for consumerism (peace).

In this 'diorama' of 'New America' traffic, these designs of traffic and artistry may capture our developed fascinations with the contouring of inter-religious activities welcomed by young students and children who wish to see this civilization evolve past the troubling days of mob-riots, civil wars, false empires, racism, and economic depression. That's why people come to America, and Sherlock believes these 'Warriors of New America' will reinvent the quality of modern dollars. Isn't this superior to the anarchy of Ancient Rome?