Twins of Dartmouth!

A Story by Abishai100

Two 'media-deities' are immersed in the Western intrigue of socialized distance(s), defense of capitalism, and pure civilization...dressing!

A tale of media-knots and capitalism-defense, inspired loosely by the amazing American/Hollywood film Clear and Present Danger (Harrison Ford). Enjoy,

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Two figures connected to Dartmouth are a movie-star and an Interpol-relations officer who both, incidentally, are tied to the covert paramilitary organization known as 'GI Joe' (US).

The movie-star, Thomas Cruz, is tied to some modern media-IQ intrigue surrounding the proliferation 'celebrity-stage' scandal journalism (e.g., OJ Simpson) which has drawn 'ire' from anti-American terrorists (ISIS) regarding American use of theater to create unfiltered/controversial social showcasing.

Cruz notices he's being tracked by some suited men in California who seem to want to 'erase' him from the theater-stage to pin him as a 'scapegoat' for outside-NSA/CIA 'diplomacy' regarding Americans using their own 'inventive' forms of celebrity-destaging to retort to ISIS that Westerners know how to 'neutralize' their own celebrities.

THOMAS CRUZ: I'm working as the GI Joe agent 'Duke' to create social presentations of American civil liberties defenses for television/cinema so as to cast the Western civilization paradigm of open-expressions of capitalism free-speech for world-media in this era of Al Jazeera, BBC, and EWTN.

Meanwhile, the other 'twin' in this tale of Western intrigue is Ajay Satan, an Interpol-relations officer working in the UK to destabilize cyber-channels for blood-diamond piracy-motions across continents and works to swap pirate-gems (from 'conflict-zones' in Africa!) in London's safe boxes with toys for media parodies about the role of interventions in modern commercial controls linked to symbolic Euro-cities like London, Belfast, and Frankfurt.

AJAY SATAN: Blood-diamond corruption today threatens the world-gem exchange and makes for terrorism-woe(s) and destabilizes street commerce/economics talks with governments for sanitation of unemployment/poverty-linked crime recruiting, which is why I work with the 'GI Joe' unit as 'Snake-Eyes' to create rings of capital control and avoid the 'suited psychos' of infiltrations seizures, possibly 'rogue' or 'extra-credit' agents of the non-NSA/CIA.

Ajay Satan notices, like his 'twin' in this Western double-conspiracy, that he's being 'tracked' by suited psychos perhaps sent by rogue-NSA/CIA to seize more 'controlled' methods of blood-diamond piracy motions across continents. He's got to use swift disguise tactics to cast himself as a simple 'theater-performer' or 'media-stuntman' while performing 'camera-trick mock-filming' scenarios of bank safe-box areas for baron-media statements. Like his 'twin' in this Western folk-tale (Thomas Cruz), Ajay Satan believes he's got to evade the 'dark force(s)' of modernism super-espionage.

CRUZ: I don't want this Hollywood terrorism to branch all the way to troubling anti-democratic film-censorship.

SATAN: I 'dislike' the notion of blood-diamond work interference breaching my work-bridges between Belfast and Boston.

Ironically, GI Joe regards both 'Duke' (Thomas Cruz) and 'Snake-Eyes' (Ajay Satan) as modern-day 'James Bond' characters working to create special-magic rings of democratic control(s) in this new dominion of capital-based terrors, interferences, and super-espionage, casting Western bonds/assets/gems as diadems of globalism exchange and media-driven Wall Street fitness.

CRUZ: I wonder if there's a 'twin' out there who doubles my exercises in media-driven defenses.

SATAN: I wonder if there's a 'twin' out there who doubles my labors in diamonds-control super-monitoring.

As youngsters in the West celebrate their sheer love of action-adventure patriot-games like GI Joe: The Rise of Cobra, the real-life 'James Bond' twins of Western civilization, Cruz/Satan, arguably serve as 'molds' of the 'avatars' celebrated in these modern cyber-activities re-presenting a youthful fascination with civilization diaries.

Ironically enough, Ajay Satan and Thomas Cruz tied 'loosely' to two valiant women-lovers (Tanya/Katherine) who're part of the modern Western traffic 'rubric' and who exemplify the idealization of the prototypical 'Bond-girl' (a reference to espionage-folklore romance-dolls!).

Ironically (again!), Cruz/Satan both find themselves drawn to a Dartmouth (Ivy League) symposium about the modern role of media and free-journalism in the Western proliferation of capitalism-defense storytelling relevant to the modern value of BBC, CNN, and Wikipedia.