Green Cat-Walk: Modern Druid

A Story by Abishai100

Narrated 'diorama' about what makes Irish 'mystique' in fashion-casting a 'thing' of modernism drillings.

An homage to fashion-fantastic presentations, inspired by the unusual modernism-film Pret-a-Porter (Julia Roberts). Hope you like it,

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This is a world of magazines and dollars, and it governs our sense of walking consciousness, and it's why I chose to become a world 'designer' of human imaginations, to capture this amazing 'sense' of dance...and vanities of a 'forgivable' dimension!

I've been trying to capture the worldly sensations of Irish dress and fashions, even though technically I hail from the East (India), and I try to blend the colors/textures of Asian-Indian richness in green-and-gold-and-red colour(s) dimensions for a special European fashion-show presentation which may be cast in cyber-blogs by fans of this great modern 'dance' of exquisite pedestrian artistry!

Irish style fashions/dress is anything but simple, and it captures our dazzle with naturalism tones/flavors, and I'm casting a special dress-show highlighting the sensual splendor and 'taste' of the Irish mystique in Europe. This is a modernized casting of ancient Irish mystique and naturalism drawings.

I drew my inspirations from various YouTube video-uploads of the miraculously mouth-dropping natural landscapes of Northern Ireland (United Kingdom), a place of unusual colors and tones of earthen-beauty and even trafficked magic. This is really where I got my ideas for this cyber-placement rich showcasing of the wonders of Irish diagrams/aesthetics!

My name's Amlan Satan, and I'm half-Algerian and half-Asian(Indian), and the fashion-show I'm casting in Europe for cyber-fans of Irish dress/aesthetic(s) will be a toast to the idealization of 'wrought' magic in modern times from ancient musings, and I'll present myself, incidentally, as a 'Sherlock Holmes' of the Irish lyricism.

The fortunes and treasures of the world capital today I believe 'highlight' the glorious 'lights' of a civilization lens on what makes the 'shattered diamonds' of gem-matrices reflective of a human curiosity about capturing beauty with the tools of modernism yoga!

Capitalism and fashion-markets are all around us, and we see the splendor of such celebrations in real-estate games/storytelling such as Parker Brothers' Monopoly. This is a time of very 'fun' forms of fortune daydreams, and it's why I became a traffic/matrix designer of modernism and a toy-like sensibility, motivated by globalism creative-thinking.

Irish lore, like Irish aesthetics seep into Western civilization (in the United States), and we terrific symbols/examples of storytelling and artistry which may be imprinted onto the walkways of fashion and dress. This is also an environment of rather unusual imagination.

"Fashion is life, simply because the liberty of 'wrought' life is a 'fine dance' of color and self-expression and triumph" (Amlan).

All the styles of dress/fashion I use to cast this 'matrix' of design-centric showcasing are drawn from my exposure(s) to the colors and textures of the Irish environment, and even though I'm not from Ireland, I draw my creative inspirations from the lyre of the Irish mystique. Follow me!

My Euro-shows of Irish stylized fashions have been hailed as a 'cyber-friendly' triumph in the shows of globalism-minded traffic consumerism, a toast to the 'sheer accessibility' of the human-oriented dance. Irish styles accentuate my focus/lens on the Irish richie richness.

"There's something extra-planetary about the simple natural 'magic' of the Irish aesthetic(s), and I'm drawn" (Amlan).

The reason there's no reason to feel 'shy' about my 'diorama' about cyber-adaptive Irish-mystique fashion trumpet(s) is that this type of matrix capitalism reflects the obvious human/social investments in the qualities of trend-distances.

"If I was born-again (in another lifetime), I think I'd be born as a painter in the Northern Ireland countryside" (Amlan).

I'm not from Ireland. I'm half-Algerian, half-Asian(Indian). That's ironically/incidentally why I draw from the colors/textures and patterns of red/green/etc. Irish-mystique fashions to cast new/modern re-presentations of globalism-friendly imagery regarding the 'accessibility' of the optics of the Irish 'green' dream. This is clear!