New England Creamery

A diorama about a Western capital-venture involving ice-cream, media, dreams, and the gestures of new-era diet!

A picture of what can make capitalism so 'totally' divine, for this post-9/11 era of Western dialogue surrounding 'living' dreamers! Enjoy, 

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New England is a very known place in Western civilization (United States), and it's where Amlan Satan runs a special creamery for the purpose of distribution of lifestyle-amenity foods/textures catering to a regional 'taste' of living democracy!

There's a rich history of dairies and creameries and ice-cream factory or production-center for capitalism in New England, and we see photos (black-and-white) of such 'traffic' in history's notebooks/albums and it's why Satan's chosen this area of the United States for his symbolic creamery-venture, catering to Catholics and Protestants alike who comprise the dominant religious groups in this region!

Amlan Satan himself is an Algerian-American who fled his home-country because of the post-FLN 'tremors' in France's colonial memories and converted to Catholicism after graduating from Dartmouth (New Hampshire) and going into business with some of his princely inherited moneys to start building the New England creamery for great capital investments in modern social networking.

The New England creamery shall be a great testament to pluralism and commercial vanities and amenity (Satan).

He hires two media-specialists for his PR-exec works so he can focus more on the resourcing, marketing contracts, ingredients sorting, labor governance, and material integrity! He hires specialist women, two of them, who can best 'cast' this New England creamery as symbolic of modern capitalism's best faces.

In this age of media/magazines, running a pluralism-centric venture in the West can feel like a photo-shoot (Satan).

Well, the two media-specialists he's hired are terrific/outstanding as New England Creamery (Satan) is featured in Esquire as an 'outstanding toast' to the dynamics-consciousness of Western commercial movements in pluralism customs and consumerism's offerings for democratic living (e.g., WalMart, Wall Street, Wall-E, Walgreen's, etc.).

The best feature of our creamery and its arms of capitalism is the quality of the ice-creams reaching shelves (Satan).

The New England Creamery is a big hit in the United States is a prestige-potion for those 'in-the-know' in inner-circles of modern Western business/men, and the employees are very happy people too! In fact, there's all kinds of folk-tales surrounding why this creamery is re-presentative of what's perhaps replaced the old world farm-storytelling we'd seen in novels like The Good Earth and The Grapes of Wrath!

The media-specialists he's hired for New England Creamery (Ayla/Esha) have offered token ice-cream gold/silver scooper key-chain rings as company souvenirs for the 'family' linked to his American regional success. However, the two women are soon publicly 'threatened' by a psycho American who claims this is fascism.

The reason this New England venture isn't socialist is precisely because of the 'aesthetic' of living folk(s) (Satan).

There's plenty of 'rich' storytelling regarding the drama of human motions/mobilization and populations-driven dramatis we'd seen 'cast' in perhaps kingdom-lore of Camelot and the Kennedys, a mirror-image of what makes social contracts a thing of shared magic, even when it's considered 'politics' or 'convenience' for the establishments of living dancers.

Capitalism is an art-form only when the 'artists' themselves care about the nature of human demands (Satan).

As he prepares for a very fun Boston St. Patrick's Day Parade, costumed himself as a 'leprechaun' of Western capitalism pageantry (a 'harlequin' of street-markets!), Satan (Amlan) considers how he's come so far since his troubled childhood-years in his home-nation, and he thinks about the 'Halloween' of modern Western (American) dance!

“We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words" (Ursula K. Le Guin).

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"Money is everything" (Ecclesiastes)