Misfits: WalMart Toy-Tot

The iconic Northern Ireland punk-rock female group head to North American WalMart shopping-complex toy-aisles for a Christmas-lyric about 'true' detention.

A lyrical nod to consumerism's dressings, inspired by The Founder (Michael Keaton) and Jem (TV). Enjoy, 

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Now, the Misfits, the successful punk-rock female music-band from Northern Ireland (United Kingdom) and author(s) of the hit eco-song Diamonds are Forevermore, traveled to New England to visit a special WalMart super-shopping center opening to take diary-notes and iPhone-photos of the toy-aisle for a month-long project about consumerism-traffic research for their new capitalism-patriotism song Christmas Toy St.

The shoppers at the toy-aisles were in full spirits for shopping and were cataloged by the iconic/fun Misfits, somewhat of a 'radial' music entourage nevertheless writing about special human socialized spirits of lifestyle activity relevant for modern/loud political thinking. Off-stage, they'd been considered somewhat wild and unruly, taking test drives of Countach's and taking paintings of Honda-bikes for their various beach-houses on the shorelines of North America after emigrating from sectarian Northern Ireland (United Kingdom).

MISFITS: We've found an 'ideal' toy for Christmas lyricism that Western shoppers at WalMart's toy-aisles --- microscope-robot!

The toy-aisles really were nice at WalMart (New England), where the wildly creative Misfits liked to continue cataloging their brand of consumerism imaginarium thinking in Western civilization. WalMart had been critiqued for smashing mom-and-pop shops/grocers in smalltowns (USA), but it'd also become a massive 'tower' of lifestyle-traffic accessibilities for regular dependable consumer goods and foods. The Misfits would capture the consumer-traffic in the toy-aisles for their 'ode' (song) to the Christmastime convenience daydream, made possible by these 'towers' of capitalism's undeniable dollar-face.

MISFITS: For the post-9/11 era of commerce-traffic/infrastructure paranoia, we've gotta songs about the rich dollar-tree.

They thought they spotted a movie-star or celebrity who'd become quite the Western sensation for her luminous appearances in numerous magazines and fanzines and cyber-club blogs/forums about the daily 'beauty' found in North American commercial vanities like protective eyeglass wear, sunblock protective hygiene, and general capitalism flair, which is why the Misfits thought sighting her rummaging through the WalMart toy-aisle reminded them of this special 'icon' of the consumerism tax.

MISFITS: Christmas ain't Christmas in the Northern tip of the America, where the Rolex and the Transformer hit the digit.

This special 'research' conducted by this special 'erudite' punk-rock wild-music female band Misfits (from Northern Ireland) would just be hailed as a consumerism 'champagne' to the toy-shopping re-presentative of the modern-era consumerism 'dailies' of accessible lyricism. After all, what's a toy-aisle without the 'wild-spirit' of the consumer(s) behind it who'd be cataloged and statisticized as the 'angels' and 'demons' of shopping-center democracy?

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"Money is everything" (Ecclesiastes)