Warriors of Wonderland (Adullt)

Diorama of adult-cyber matrix intrigue and the 'hero-faeries' of inventive socialized dry-heat!

An adult-industry 'adventure' fable/exposition, inspired by the symbolic 'civilization-film' Wonderland (Val Kilmer). Enjoy, 

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In a special Cali-mansion, adult-entertainment was being financed/crafted by an Algerian-American prince of inherited fortunes.

AMLAN SATAN: I'll revolutionize the home-adult entertainment market (cyber) with net-placed videos for multiculturalism.

This film-pioneer in the cyber-arena was an Ivy graduate (North America) who cared about accessibility to modern adult-media in the cyber-highway and cast himself as a 'nerdist' of the capitalism landscape in the post-9/11 era of Facebook-couture.

AMLAN SATAN: We're reinventing the quality of adult-media on the cyber-matrix for the express/limited purposes of vanity.

Satan's 'vision' of a multicultural adult-cyber entertainment 'market-matrix' was inspired, ironically, by video-games and the superb notion that avatars from the gaming-industry would offer special lifestyle exotic storytelling themes for adventure-romance lore in North America (New England).

AMLAN SATAN: We're calling this cyber-enterprise the 'Wonderland' and cast it as a Lucas-like presentation of living fantasy!

The 'dark secret' was that a number of the thespians/performers of Wonderland (Amlan Satan) were, in fact, 'faeries' (tiny winged humanoids from forests with messages of warning/wisdom) who'd use their mythology-lore to create a special metaphysics intrigue surrounding humanism cinema/escapism.

AMLAN SATAN: To think that an 'angel' might rebel but a 'faerie' is nondescript/extinct is heresy; we're making faerie-smoke!

Amlan Satan himself cast himself as a cyber-vigilante 'James Bond' of the adult-capitalism market and hoped to use Western civilization ideas for the celebration of capitalism/media as a 'tool' for the advocacy of 'masquerade' heroics and sensuous storytelling, reinventing tales like Cinderella and Artificial Intelligence (Steven Spielberg).

He'd use special blood-diamond piracy-traffic intrigue from 'troubled' Northern Ireland (United Kingdom) to craft special fantasy-adventure lore about bank safe-box infiltrations for the exposure of fatcat gem-barons as new-age Capones of Western/urban deformity!

AMLAN SATAN: We're extracting images from headlines about druglords/crimelords in special 'pits' for youthful escapism.

REVIEW: Wonderland is excellent; it's a 'casting' for the flowery of adult-cyber IQ for the modern intent of socialized health!

All's not well in Eden, as Amlan Satan is cast in a deep pit of darkness involving blood-diamond corruption in the adult-cyber matrix when a rival online film artist named Nash invites him to his mansion in So-Cal and challenges him to a target-shooting contest in his own backyard, which Satan emerges as the victor but requires him to be a 'diplomat' of psychiatry to calm Nash down, assuring him that he'll always be the proverbial/prophetic 'King' of diamonds.

INTERVIEW: How'd you escape from the 'death-estate' trap set by the infamous/iconic Nash, Satan (Amlan)?
AMLAN SATAN: My friend and I were in his 'abode' costumed as vaudeville 'maestros' and got him very drunk.

REVIEW: The adventure-scenarios of Wonderland cast gypsy-agents as 'starlights' of the modern urban capitalism drawings!

Satan had been 'assassinated' by a ruthless rival in the cyber-matrix named Theo who sought to martyrize the 'saint' and then quarantine him as a one-hit wonder of So-Cal and New England, which unfortunately, 'veiled' the 'strange truth' that what Wonderland gave to the West was reinvented drywall(s).

AMLAN SATAN: If I'm hailed as simply an 'adult-matrix' Ted Turner, at least I'd have hoisted the 'gems' of Western dramatists.

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"Money is everything" (Ecclesiastes)