Airport: People of Currency!

A modernism portrait of Airport imagination offering special imagery regarding wrought distance(s).

A quaint civilization-traffic portrait inspired by the 'dogma' film The Terminal (Steven Spielberg). Thanks for reading, 

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Dublin (Airport) is where lives intersect and the institutional 'matrix' gives rise to the stories that reveal a strange complication requiring a 'magical' form of wrought creativity.

AIRPORT MANAGER: We ensure the healthy flow of traffic daily and create the environment(s) for regular securities!

Amlan (Satan) is an ice-hockey player flying from Dublin to Calgary where he'll be part of a sports-organization devoted to the modern form(s) of broadcast-era sports-journalism and fanfare conducive to ice-hockey platforms worldwide and hopes this air-flight (journey) will be both safe and customary.

Dominique is a French supermodel who notices Satan at the Airport (Dublin) and wonders if he's flying alone or with someone or meeting someone at the airport when she admires his Bauer-gear (ice-hockey) since she's collected ice-hockey cards since she was a child in Canada (Lemieux, Jagr, Orr, etc.). She boasts her special 'Bazaar fanzine' to him and asks him if he's been exposed to the Western media-phenomena of photo-diaries.

DOMINIQUE: Are you aware of all the athlete-promos in Sports Illustrated about Coronavirus intelligence, Satan?

SATAN (Amlan): Yeah, it's all a real shoot, but I stay 'abreast' of the goings-on of global traffic-IQ (in airports too, hehe).

While Dominique/Satan sit and wait in the Aer Lingus lounge/terminal together, other people start to flock into the Airport (Dublin), and this day will not be as normal as they'd anticipated; fortunately, terminal/lounge amenity affords them the 'religious patience' to feel more conscious of their human duty-free views of traffic manners. Everyone's just plain nice to each other!

DOMINIQUE: Did you see that Tom Cruise film American Made?

SATAN (Amlan): Yeah, and it was really cool; globalism has taken deformity-complexity since World War II.

Inside the airport, people are doing their standard things and taking care of standard business when the evil Baron Goldfinger arrives, hoping to plant an explosive-device and put the blame on a new blood-diamond antipiracy covert group known as the Foreign Irish Republican Army!

GOLDFINGER: I've been noticing that nice little 'handsome-couple' in the Lingus-lounge; I can use them as dummies for media.

Fortunately, Satan spots the trouble-maker and grabs his duffel-bag which is identical to his own and presents the suspicious-looking Airport (Dublin) trafficker to security-personnel who discover the bomb and arrest the evil Baron. The news-reporters arrive and interview Dominique/Satan who simply report, "We just want to fly to Canada today and not worry about the Coronavirus woe(s)...or dollars."

GOLDFINGER: I fear all this Airport (Dublin) amenity-sanctity will come at my media-expense; for some 'cinema' IQ!

IN-FLIGHT CONVERSATION (Aer Lingus):

DOMINIQUE: That was some institutional 'ordeal' for us, eh Satan?
SATAN (Amlan): Call me Amlan, darling.
DOMINIQUE: We're becoming 'quite' the couple for this traffic-experience, Satan.
SATAN: Right.
DOMINIQUE: Excited about your new ice-hockey life in Calgary (Flame)?
SATAN: Sure!
DOMINIQUE: I'm glad we met; we're 'unlikely' super-heroists.
SATAN: The Airport has 'deigned' a special diary.
DOMINIQUE: One can get really 'spooked' about modern activity, Satan.
SATAN: True; but we can boast forms of democracy (or diamonds!).

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"Money is everything" (Ecclesiastes)