The Glass Dresser: Calgary

A Story by Abishai100

A description of consumerism trinkets and diadems which remind one of the global view(s) of capitalism-deformity!

A civilization superstition diadem 'diorama' inspired loosely by Gremlins. Enjoy,

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Amlan Satan was working alongside his office-girl Sandy to evaluate the shapes/contours of special consumerism trinkets and gems like Christmas glass snow-globes and iPhone kitchen-table stands, all symbolizing consumerism consciousness and capitalism craftsmanship!

The shopping mall (Calgary) in the hometown where Satan made ice-hockey video-games his special 'hobby' and pastime boasts incredible interiors and stores and consumerism trinkets/gems which capture the Western civilization traffic ideology behind capitalism's more ornamental face.

AMLAN SATAN: This is an incredible shopping mall (Calgary).

Inside the video-game section of the shopping mall (Calgary), Amlan found a very handsome array/section featuring some nice 'ornamental' accessories for home consumer-electronics (video-game media!) use/play, right alongside a special new 'science-fiction' exhibit featuring 'alien creatures' symbolizing civilization distances/dollars.

AMLAN SATAN: These 'aliens' (Xenomorphs) from the iconic sci-fi media/movie franchise in Hollywood symbolize insanity!

SANDY (Amlan's girl-friend): It seems to me Satan's concerned about media 'lights' illuminating the contours of Western IQ.

Amlan purchased a Red and Black 'Xenomorph' action-figure and brought them home with him and decided to start casting them in civilization 'terrorism' scenarios, to create in his beautiful-mind a certain imagination about the competition-consciousness linked to capitalism storytelling. These Red/Black terrifying 'predator-alien' creatures from the sci-fi media/movie franchise reminded Amlan why capitalism in his hometown (Calgary) was symbolizing forms' of evolutionary fitness. He had a dream that night that the 'alien creatures' came-to-life and started to terrorize him and all of Calgary and reminded him of the 'danger(s)' of choreographed traffic.

AMLAN SATAN (Diary): I'll tell Sandy (my girl-friend) in my dream I imagined the 'Xeno-aliens' (fiction!) are hieroglyph-IQ!

Amlan Satan had to conclude that in the modern media-tech age of toys and cyber-imagery and social-media, there had developed a special socialized 'dream' of the shape of the stability/turbulence of traffic godliness. Capitalism had become after all a reflection of even social-media ideations of pure traffic modeling. Why not mix humans with aliens in sci-fi video-games in capitalism stores?

SANDY (Amlan's girl-friend): When I think of the number of Western households with kitchen-TV, I know of traffic-comics!

Therefore, Amlan Satan took his collection of mental images of consumerism trinkets/gems and began to imagine what the shapes of behavior cast in the Red/Black Xenomorph alien-dragon action-figurines he purchased at the shopping mall (Calgary) represented in terms of civilization commerce/capitalism depression!

AMLAN SATAN (Diary): Perhaps these Xeno-dragon aliens from comics/cinema/media remind us that nothing's distant!

Amlan and Sandy got married and had a daughter ('Ezzy') who'd become a special social-lights fan of Facetime, which Amlan Satan used to video-chat with Sandy from work in real time. Sandy/Ezzy became Amlan's special 'action-figurines' in media-tech/toy use in modern times and the shopping mall (Calgary) where he otherwise looked for ice-hockey video-games but instead discovered the consumerism-traffic storytelling symbolism of the sci-fi Xenomorph alien-dragon action-figurines had become his 'memory' of modern Facebook-culture diaries.