Ray-o-Vancouver

Can cyber-vigilance erect forms of Western depression (in this tale of dividends)?

A tale of social-media era traffic hyperbole and fantasy vigilance for antiterrorism diaries, inspired very loosely by the 'disco' film Kick-A*s. Enjoy,

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Ray and his daughter Ezzy were featured in Facebook posts highlighting the quality and arrows of modern social-media IQ and cyber-magazine oriented Western talk regarding photogenic shots of traffic storytelling.

RAY: Moving between New England and Calgary and finally Vancouver gave me interests in home-based populism-IQ arts.

His cyber-blogs featuring colorful renditions of women and goblins and faeries depicted in fantasy-adventure poses in city areas challenged by dark demons illuminated a special post-Orwellian street-art aesthetic fascination with 'wrought' forms of bubble-gum mysticism. Facebook culture/IQ had catered a special form of human child-like storytelling about photographing faeries!

RAY: The snowy landscapes of rich North America (Western civilization) caps a strange magic regarding 'wrought' faerie-tales.

He fashioned a home-cyber cartoon/blog studio in Vancouver (North America) and enchanted Ezzy with doodles/sketches, some by him and others by others, regarding faeries/goblins and princesses all 'caught-up' in the modern traffic-glitter and daydreams of pedestrian activity and post-9/11 era antiterrorism diary. The Western social-media lens of home-based/town-based convenience living and arcade-like consumerism fostered a special 'private' homeschooling oriented view of cyber-arts and traffic-dating.

RAY: We're going to transform Marvel's Hobgoblin into a she-male as well as faerie-tale oriented 'anti-hero' for terrorism-IQ.

If Ray/Ezzy of Vancouver had become what Charles Schultz might call the cyber-era 'products' (or diplomats) of a pedestrian/traffic enchantment regarding faerie-tales about living social distances in the social-media era, who'd they inspire with their homemade photos of strange creatures drawing out global concentrations about antiterrorism?

RAY: A child-like rendering of the Hobgoblin I think highlights why avatars of urban anarchy signify a social view of cyber-$.

In other words, Ray/Ezzy of Vancouver were transcribing the yesteryear generation of magazine journalism and town-based values into the new-era social-media culture of mass-traffic oriented antiterrorism storytelling to 'wrought' nifty photo-collage mosaics of street-culture dialogue.

RAY: We'd like to think we're 'hyping' the organics beauty of accessible/convenient consumerism-IQ through traffic videos!

Of course it's clever to use modern 'vigilantism' like imagination about street-aesthetic(s) driven heroics to champion antiterrorism courage in the post-9/11 era of WalMart consumerism with special 'costumed' cyber-blogs about Robin Hood saving capitalism and the West from anti-capitalism artists.

Ray walked into a Vancouver bank with Ezzy, both costumed as gypsy street-theater artists wielding a water-rifle filled with acid and switched a baron's safe-box 'blood-diamonds' with toy-gems, for a cyber-blog about Interpol-office(s) relations 'vigilantism' through insured-gems media-stunts in North America (Western civilization) for cartoons about traffic security!

RAY: We're now linking works between British Columbia and Northern Ireland regarding gem-movement(s) dread.

If Ray/Ezzy of Vancouver were the new Bonnie and Clyde (of the cyber-vigilantism 'Utopia'), what would their cyber-presentations in the West reveal about 'accessible' forms of inventive social-media era 'democracy' storytelling?

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"Money is everything" (Ecclesiastes)