Sisters/Earth: French War Phone

Cyber-writer makes a tie between women's tennis and capitalism-lore for an invention in Earth race doctorates.

A diorama about why gender-sportsmanship/culture and media-politics contours creates a special (even magical!) form of capitalism-consciousness folklore, drawn from the gender-destiny thematics of Little Women (Winona Ryder). 

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Amlan Satan lived in New England and lived off his princely-inherited fortunes and made cyber-stories about capitalism-reflective sportsmanship tales and complemented his patriotism-themed human-dramatics with images and 'mini-cyber dioramas' of iconic moments in sports history, for both men's and women's sports, and became generally liked by his readers and was even given the cyber-nickname Waldo.

WALDO ('Amlan Satan'): I'm casing a special French-Open women's championship for a comics-chess IQ tale about capitalism.

Who/what did 'Waldo' (Amlan Satan) consider this cyber-casing of an 'iconic' women's sportsmanship-themed capitalism 'symbolism' mini-cyber diorama a direct re-presentation of Earth race fantasy/rhetoric? Well, it was the quite symbolic 1992 French Open women's final (tennis) featuring a micro-rivalry 'moment' between German Steffi Graf and Yugoslavian Monica Seles before which Graf had dominated the women's field and 'drew' criticism for the field that she'd made women's tennis 'too predictable' for wagers/energizers. Well, 'Waldo' (Amlan Satan) now sought to 'catch' this moment in world sports-media history by 'linking' it to the finery of capitalism-competition consciousness and storytelling so as to 'case' the rhetoric of commerce-life Ego for the Earth race as an 'application' for real human distances (regarding 'pure' competitive politics!).

WALDO: Graf-Seles (1992 France) signaled a shift in media-sports gender-story for ideations of the 'chess' of competition-lore.

Well, it's true Graf's 'field' was rather 'predictable' before the surfaced Seles-rivalry culminating (arguably) in this epic 3-set French Open championship, and many wonder how the match was a 'capitalism-chess symbol' of the competition-storyboards regarding 'face-face' angst regarding Earth race competitive ardor reflective of commerce-life Ego rhetorics leaning against the new era 'dilemma' of anti-consumerism terrorism (wow).

WALDO ('Amlan Satan'): Image of competition in media now show a human IQ for capitalism motion for 'human' Ego/conflict!

Well, Waldo tied this Graf-Seles 'micro-rivalry diorama' tale to a fantasy-patriotism notion of gender-politics and humanism and folk-democracy in general to ideations of the storyboards behind capitalism ideology and why 'competition-consciousness' was a true sign of the human species 'will' of eternal treasure/laurel definition (wow).

WALDO ('Amlan Satan'): Seems to me this age of social-media/'Selfie' culture driven 'personality' politics is 'guerrilla' critique.

"Capitalism is the astounding belief that the most wickedest of men will do the most wickedest of things for the greatest good of everyone" (John Maynard Keynes).

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"Money is everything" (Ecclesiastes)