Deadpool: Capitalist Violet {English}

A portrait of social-media activity interest and economics-chess oriented gamesmanship for global exchange vigilantism thesaurus.

An homage to vigilantism storytelling/comics (modernism). 

DISCLAIMER: This work of dramatics/fiction/representations contains images with no commercial/legal ties to any representative person(s)/body or any alluded to by 'inference' or hyperbole and therefore is cast as purely a 'personal' exercise in creative social history folklore examination(s). 

----

====

Amlan Satan was the real-life modern Chicago pirate named Scruffy who went by the social-media vigilantism alias Deadpool, the ultimate cyber-punk of inventive capitalism defenses in the post-9/11 era of 'Selfie'-culture oriented patriotism-commentary and commerce-life comics-arts/photo-sharing.

As Deadpool, Amlan Satan (Scruffy) became an underground cyber-subculture micro-celebrity and advocate of chess-diagrams for capitalism science and Cold-War superpowers engagement matrix sociology, which were fertile for adventure-vigilantism comics-writing in the United States.

DEADPOOL: The Cold-War 'social media' for chess (Fischer-Spassky) offered 'parallel' contest storytelling.

The modern media-market trend was the glorification of commerce-life vanities for convenience-access living reflected in the network-business world-traffic facilitated purely by economics-computing (wow).

DEADPOOL: We're using Peanuts-chess to defy the darkness of sportsmanship's complete Oblivion (hmm).

This was a 'colored' graphic(s) crusade of intellectual property management and conquest of commerce-life traffic confidence facilitating Homeland functionalism in the post-9/11 era of 'glorified' capitalism journals/toys. This required urban crime-consciousness.

DEADPOOL: The capitalist-violet mind of fashion will restore a race fantasy about cool competition.

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson).

====

"Money is everything" (Ecclesiastes)