Immigration Parks

Is a real-life American bordertown 'hero' the right messenger for Homeland energizers?

An homage to Homeland storytelling inspired by Traffic (Benicio Del Toro). Thanks for reading, 

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Welcome to the United States, where dreams are sold in modern social media packages for lifestyle and therapeutic entertainment hypothetically catering to all walks of life or cultures/races/groups. You might find social-media images/messages reflecting this social/cultural investment or interest in themed imagination (a 'folk' examination or invitational consciousness), but one requiring 'real' democratic securities.

This is the land of many peoples created by a history of many peoples built on the 'theory' of immigration and cultures-negotiations and of course tragedy and crime and deformity! This requires the natural offices of the DC government to oversee the 'arms' of traffic-securities, and this requires applications of street-traffic controls, monitors, narcotics/piracy watchmen, and of course, illegal immigration stigmata, all of which are imprinted onto the storyboard-landscape of America in the form of 'culture' portraits or cinema or bookshop titles (yes).

Amlan Satan has been working in the borderlands area of SoCal and Tijuana/Mexico for some time now as a ground-force monitor and population photographing officer and marshal of the flow of goods, contraband, arts/crafts, and yes, toys.

AMLAN SATAN: Immigration/border watch for treasure/securities is chess.

This is the real-life 'Gladiator' of the modern age, himself an Algerian-American US-citizen and college-grad and excellent officer of the United States. Yes, Amlan Satan also happens to be a terrific fan of social-media and uses cyber-windows and 'portraits' to create special insights into the network-signature of this modern landscape of dualism between hospitality...and 'negotiated' vanities (e.g., crime-stories/Selfie-democracy!).

AMLAN SATAN (Journal): "We look at this 'quality' of folk-arts/expressions on modern social-media and think of the nature of conversations surrounding the negotiation of modern urban/civics sanity as immigration has become a 'catalyst' for media images of great 'folk' justice fantasy!"

What will this story unfold into for Officer Satan and for Southern California (United States), and will there be ample 'body-space' for social-media citizenry commentary regarding the preserved/secured nature of Homeland hospitality in this modern age of traffic-oriented civics/controls concerns (e.g., narcotics, piracy, terror, troubling journalism)? For Satan/America, the value of "Immigration-Parks" in the Western-world continues to be a 'superstition-tale' built on the foundations of the past and (perhaps/hopefully) extending into a strange/miraculous 'dream' of a better 'demo' future (sure).

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"Money is everything" (Ecclesiastes)