Gingerbread-Treaty (DC Alumnus)

A Story by Abishai100

Can a 'Georgetown-demo' for art/competition draw a capitalist-race Homeland expression for 'secured' drama?

A 'diorama' about capitalism culture and links to art/education, inspired (very loosely) by Capitalism: A Love Story (Michael Moore).

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The special Gingerbread sculpture contest (DC) drew in some pretty ambitious students in North America and would be cast on social-media as a special modern Western 'expression' of the capitalist race 'chess' ideations of constructed ambition colored with flowery.

Two competitors, a sibling-pair from Georgetown (DC), considered this gingerbread-competition a perfect hallmark for all that'd become pluralist-democratic rhetoric on modern social-media and hoped to challenge any combination of contender/star in this talent-presentation of the 'mysticism' of capitalist America (wow).

The siblings (Georgetown-DC), Amlan/Inuyasha, had earlier been part of a special robotics-chess art sculpture (British Columabia) and hoped to extend their laurels/honors to this gingerbread 'digestion' themed consumerism-reflective art-presentation of the 'intelligence' behind capitalism diagrams/education (hmm).

AMLAN: Doing capitalism-defense work for art/education almost feels ninja (on social-media!).

Sure, Homeland securities for commerce-life presentations/demos for art/education was not a basic or straightforward labor/concern, but perhaps the work of 'cool' social-media advocates in North America (e.g., Georgetown gingerbread artists) would remind the world why capitalist-USA had become a 'domain' for the re-presentation(s) of fortune/ambition flowery (or magic!).

INUYASHA: The hope's to cast cyber-energy and pluralism as an 'art' view of synthesized dough.

Would Georgetown/DC benefit from all this social-media energized education domain promotion designed to 'accent' the Homeland securities view of commerce-life and art-culture blending/institutionalism?