France's Darling

A Story by Abishai100

A sportsfan/writer references a key French Open 'moment' to draw democratic ideations of the 'quality' of capitalism's dialect.

A fan diorama concerning the cheers of the iconic Graf-Seles rivalry in women's tennis and why it invokes special social-media age images about 'real' direction.

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Amlan Satan was working on a special sportsmanship 'opus' on the symbolism behind women's sports in the modern social-media age of broadcast-sports and hoped to share his ideas/images with others on the cyber-network.

AMLAN SATAN: What fascinated me about capitalism/competition is the casing of great fortune fantasy as a re-presentation of the concept of victory and immortality...as in sports and games!

He became particularly interested in the casing of special pro-tennis rivalries and great championships between timeless court-legends/celebrities like McEnroe and Sabatini, primed for the media-era of socialized activity/competition presented in the 'wide screen' of sports...which was 'excellence' in capitalism-symbolism oriented human ardor/taste!

AMLAN SATAN: Alright; I'm casing a very special Graf-Seles (women's pro-tennis) rivalry age champions-matchup, the 1992 French Open final, featuring a tenuous, back-and-forth, and ultimately epic 3rd set climax which the upstart Seles won...she ended Graf's 'pure' domination in women's tennis and signaled a new era of media-chess fascination with 'equalized' rivalry in women's sports (a 'laurel' for the capitalist race, undoubtedtly, and for art/writing).

What's so special about that certain/magical Seles-Graf rivalry and Open-Final match in France (1992) that created a 'cool' media tone/consciousness regarding why women's sports with great equalized distances between worthy competitors created a natural international chess-curiosity about why all humans now simply loved the 'idea' of capitalism-symbolic multigender/multicultural ambition. Graf, the ultimate German women's sports diplomat, was finally 'equaled' by her only rival of all-time, the upstart 'queen' from Yugoslavia, Monica Seles. This was great for social-media conversation/democracy (too).

AMLAN SATAN: This is the perfect banner-flag for my cyber-presentation about why/how the human chess-interest in women's sports rivalry cases a 'cool' capitalism diorama for how our race is invested in the 'perfection' of equalized competition between likened competitors, and besides, we might 'dream' of why Graf-Seles 'catch' that Earthtone or flowery behind the 'mystery' of endless ambitions (ha).

Women received much limelight and media-lights and camera-time in the post-Industrialization era, and this came mostly in the worlds of monarchy and fashion, but in recent time, it became a 'stage' for not only aesthetics but also athletics (wow).

Amlan Satan hoped to parallel his Graf-Seles rivalry diorama from 1992 (France) with a cool cyber-chess 'game' featuring snapshots of still-frames from various multi-gender (men vs. women) tabletop games using a commonly purchased tennis-court designed chess-set/board which all the participants were 'required' to own for this club activity paralleling Satan's words about sports/gender/democracy (hmm).

AMLAN SATAN: Seles deserved the 1992 France trophy; I'll toast this ultimate media gender/democracy signpost as a fan/writer with a special media-cartoon (Speed-Racer) avatar-toy/model (Racer_X) in a 'magical' faerie-tale concerning the 'detective' of real capitalist race Ego (ha).

Satan had achieved a micro-miracle with his 'Pulitzer-worthy' cyber-presentation of what made this iconic/memorable 1992 (France) women's tennis achievement in the media-auditorium, and he'd remember what the magic drawn from this time of great capitalist race symbolic 'social-media activity/conversation' would offer to the world of personality-driven Earth ritual --- the 'photos' of pure distance.