Dragon Sculpture {e-fable}

Characterization of capitalism's special complex media/TV/Internet 'face' offering a view of incomplete handholding.

A vignette about the 'depth' of capitalism highness in the modern age, inspired (loosely) by Capitalism: A Love Story (Michael Moore). 

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The world was tinkering on the edge of toys creating an ultra-capitalism securities/confidence consciousness as terrorism rose to levels creating serious threats to secured traffic/business. Folks on Earth cared about the re-presentations of infrastructure investments/assets in the form of models and building-sets capturing the 'magic' of ambitious capitalist monuments. This had become an age of great concepts.

The inception of this modernism began with the birth and explosion of the Computer Age, which facilitated a network-and-media-and-video (tech, etc.) oriented social intelligence regarding the contours of choreographed symbolic social activity, not really 'embraced' as a 'couture' since the days of the Greek Olympics! Sure, it was a time of 'flurry' of media-stimuli and Internet-videos and recordings of iconic 'battles' of competition design/dance (e.g., March Madness basketball on YouTube).

Such an age requires the conceptualization of personality bred into the 'matrix' of network-stimuli, personality based on the commentary and fanfare and 'coaching' linked with teams and clubs and societies and 'groups' highlighting a race 'use' of media/tech/videos/events. This would flower a certain 'dragon' like imagination concerning the complexity of choreographed and broadcast sports and politics and science videos! Thus rose the value of the social-media culture 'commentator' or poster or writer or simple 'fan' of this Earth-race labyrinth between the years 1990-2020. This 30-year 'mark' of excellence in network-intrigue and 'chess' at the level of 'club' design(s) would see 'narrators' and 'educators' and 'performers' exhibiting and reflecting the 'dragon' shape of modernism's special lifestyle 'dollar' face.

In such a context rose a comics-writer named Amlan Satan who'd pen special superstition tales about vigilantes dealing with complex 'dragon' intelligence in urban scenarios of great modernism reflection/value and social-activity 'events' like the Super Bowl. These tales of this 'dragon' media age highlighted an American Homeland interest in youthful and almost 'child-like' view of nature of wrought social vigilance in a time of media/TV/cyber/games/news over-stimulation. This writer, Amlan Satan, argued that the 'dragon' contour of this modern time flowered a special 'image' of Romanticism as convenience or lifestyle-fashionable and hence favored a new kind of protagonist/hero/antihero of a special 'denim' dimension.

SATAN: These 'characters' reflect the 'dragon' appeal of iconic media-age 'events' like the 1972 Munich Olympics terrorism 'examination' (of transcendence!).

Perhaps the 'signature' of such a modernism 'hallway' is hospitality-chess itself. Perhaps diplomacy is the new 'face' of the capitalism-race, as Americans in the Homeland contend with the new 'dilemma' of terrorism, and piracy adds to the fire(s), and Amlan Satan sits in this 'matrix' with a special 'hospitality' eye for what can make capitalism and its 'relationship' with media/tech/news a 'thing' of simplified taste for superstitions concerning 'serious' competition headlines. Isn't that the real dragon of Earth --- the 'color' of handshakes?

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)