City of Hard Writing

A Story by Abishai100

An exposition of why media-age activity in competition/sportsmanship may 'shine' a special superstitious light for Homeland 'invention' (for all).

An inventive media culture 'tall-tale' drawing on the college-athletics market intrigue/'politics' themes from Blue Chips (Nick Nolte). Thanks so much for reading,

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I had decided that the modern world of academic excellence in the United States reflected a capitalism-race intelligence concerning the diagrams and labels of invested flowery for social-media commentary regarding absolute securities in the post-9/11 era, pertaining to the 'pockets' of Homeland educational 'prestige' (e.g., Ivy League). My name's Amlan Satan, and this is a diorama about antiterrorism intellectualism in modern America. Follow along.

We know of the horror of 9/11, and the devastation to globalism-rhetoric brought by the devastation of the World Trade Center (NYC), and we might think of homegrown problems like Watergate or the Race Riots (1992) or various news-tales of city crime and darkness. However, do you know of the night of Chicago's random police-vehicle destruction on a certain Windy-City street during a highly televised and media-broadcast age 'excellence' symbolic 1992 NCAA March Madness national semifinal game between Duke-Indiana which was kept rather 'veiled' for overground commentary in this modern era (hmm)?

Well, this game of important saw the televised symbolic 'national' reunion of the two legendary coaches of American college-basketball, from teams/schools of great 'cultural' celebrity, Duke University's Blue Devils and its Coach K, and Indiana University's Hoosiers and its coach Bob Knight. This 1992 March Madness semifinal 'showcase' featured striking choreographed offense/team excellence and saw its 'stars' Bobby Hurley (Duke) and Calbert Cheaney (Indiana) square-off to create a rather 'court-field' diagonal 'dance' of great offense/team handwriting (wow).

Duke had earned much honors in its storied history in men's basketball in the Homeland, including 3 national titles in the post-9/11 era, and it became a video-game 'standard' for the American nerdist invested in the cyber-storyboards of 'prestigious' competition-class excellence for social-media commentary. Duke-Indiana of 1992 was simply a 'premonition' for this 'event' in America and the Hoosiers of Bob Knight had become a special 'messenger-team' of this 'tale' of Homeland intrigue/waves for capitalism-race writers...and defenders (wow).

Sure, Americans love great storytelling and writing and poetry, and we almost 'invent' our own customs of law/emotion, and we find culture-pockets of great ornaments in social activity and inventive customs-vigilance and law-fables, including lore surrounding Bonnie and Clyde and Pat Garrett. This is a nation of 'incredible' traffic-handwriting and cinema (certainly).

My name's Amlan Satan, and the reason I followed this 'underground' Chicago-street micro-riot/crime 'conspiracy' of homegrown terrorism on the eve of the Duke-Indiana 1992 televised basketball 'event' is that it was a premonition for 9/11, and I consider this superstition revelation a sort of 'theater' for what makes American 'hard-writing' appealing for the modern patriot and drawing interest from the 'intellectuals' and nerdists of the competition-storyboard (e.g., college-athletics hyperbole).

"America is a place of simple engineering and folk-traffic 'ghost' magic and offers a certain 'color' of hospitality and wrought peace/securities amidst a backdrop of 'incredible' tasty adventurism and romance-noir poetry, given all the multicultural negotiations/competition/heaven-and-hell" (Amlan Satan, Cyber-Fanzine).

Duke had become parallel to the greatness of Bob Knights Hoosiers of Indiana, and its multiple national titles and countless ACC wins and regular-season rankings in its 'shocking' 1991-2022 run under the legendary Coach K (who made the Blue-Devils team a 'standard' for team-play faerie-tale 'ghost' magic and hard-writing) reminds Americans of this Homeland why the Indiana contest of 1992 would incite this 'secret' Chicago micro-riot for that media-heavy Eve. In fact, I found a very iconic Duke-star trade-info card/diamond (Dunleavy, national champion!) to cast this superstition-tale of why the Windy-City responded to that media-broadcast age college-athletics 'event' with a certain 'hellmouth' rating (ha).

I'm not trying to 'sell' you the idea that Duke-Indiana 'ghost' magic is somehow tied to Homeland securities of 9/11 proportion, and I know (or hope!) that this 'Chicago micro-riot' hyperbole 'conspiracy/secret' claim is 'obviously' a yellow-journalism white-lie (and never actually occurred), but what I am revealing to you here, friends, in this American-culture tale of competition-culture reflective Homeland 'confidence' is that antiterrorism rhetoric in this new age of computers/TV is undoubtedly linked to a Western-world 'flair' for urban-gossip hard-writing (for all).

Why would I (therefore) seek to obtain (for myself) a 'cool' Duke-Barbie (doll) after making 'toast' with this iconic media-broadcast age college-athletics 'event' of the late-20th Century (March Madness)? Perhaps what I've discovered with this examination for Duke-Indiana 'ghost' magic is that the gargoyles/mannequins/sculptures of capitalism-race storyboards and social-media commentary have illuminated a special 'revelation' for a student and teacher alike --- that of simply 'eccentric' hard-writing (for all!). That's an American Dream (too).