Deadpool: Home-Ground World

A Story by Abishai100

The affable Marvel 'antihero' (Deadpool) narrates his re-presentation of Homeland/capitalism securities and the 'sportsmanship' behind words.

A Homeland rhetoric comics-fanfiction/adaptation 'fable' featuring the offbeat 'antihero' Deadpool (Marvel Comics) and drawing on the modernism/complexity ideas about capitalism-culture from Capitalism: A Love Story (Michael Moore), which I hope you like (and thanks for reading),

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I'm Deadpool, but my real name is Amlan Satan, and I'm a masked vigilante and social-media writer of the post-9/11 era Homeland, seeking to draw from the well of sportsmanship imagery and media-markets for activity 'handshakes' for globalism securities/rhetoric in this age of cyber-commentators posting about the 'level(s)' of terrorism-worksheets (for 'American' workers).

My 'trophy' treasure-image of choice in this activity-handshake for network-confidence and globalism rhetoric is a cool 20th-Century pro-women's tennis spirits youth-fanzine prize item invoking that memoir of the defiant Argentine tennis-champ (Gabriela Sabatini) who 'shocked' media/TV audiences (and writers!) by seizing a single-set from the then-invincible and predictably winning German star (Steffi Graf) in the 1988 US-Open (the first-time ever Graf lost a single-set in a Grand-Slam championship) and then 'avenging' her (eventual) loss to Steffi in the 1990 US-Open finals (wow). This Sabatini youth-fanzine treasure-image 'trophy' item shall complement my social-media handshake-presentation (post) about sportsmanship/activity drawn network-securities storyboards for 'shares' in public competition-class peace (and democratic toylands) which itself shall complement my 'street-work' to secure this darkened Homeland in this time of anti-network villains 'destroying' our toys-for-worlds.

Why should a 'class' vigilante like me ('Deadpool'), Amlan Satan, be so 'immersed' in a social-media sports-network handshake custom invoking this 20th-Century Sabatini-fanzine sportsmanship 'trophy' item for a cyber-representation of network-imagination countering those 'forces' destabilizing our globalism-fantasies? Sports always reminds us of that 'tie' of group activity and competition-class education (maybe!) reminds us of the 'value' of shared ambitions/fitness/genius/fortune, and this is the sort of 'superstition' toy-business we (maybe) need in this new age of 'inventions' in commerce-destroying 'forms' for incomplete Hell (or urbanization-wording!).

Many tennis writers know that Sabatini's 'cool' and awesome defiance of the then-indomitable and predictably winning Graf in the US-Open finals (1988/1990) was a 'fantastic' media-broadcast age 'appetizer' to the Seles-Graf rivalry era of pro-women's tennis journals that would remind folks of the symbolic 'energizer' chess of sportsmanship and pluralism-storytelling encircling our globe-image of 'shares' in activity-linked capitalism-race daydreams. Sports/sportsmanship can (maybe) parallel our cartoons/cinema about wrought civilization energy/force/vigilance, and my Sabatini youth-fanzine tennis 'trophy' image complementing my vigilance-work in the modern Homeland for pro-city workers and defenders shall reveal something 'unique' about Western readings --- that 'feeling' of certain (undeniable/undoubted) Earth wonder (ha).

As I hit the streets of the challenged Windy-City (Homeland) as the eccentric/magical vigilante known as Deadpool, I (Amlan Satan) consider my captaincy-shield of network-securities 'rhetoric/symbolism' (my 'cool' Sabatini youth-fanzine tennis 'trophy' item/image) a sort of 'sword' for the defenses of capitalism-race allegories and 'diamonds' that invoke our (maybe) needed sense(s) of real 'incomplete' distances...to 'total' war (or wind).

CRITIC: Are you an inventor or 'mad-scientist' of capitalism's structuralism?
DEADPOOL: I'm both, sir; indeed, I've a laboratory of imagery, for Chicago's readings.

CRITIC: What may we 'derive' from this concoction of network-sport IQ (for war)?

DEADPOOL: What you need/like....for, after all, there's a 'hand-fiction' for social science(s).

CRITIC: Maybe this is (all) simply...idealism, Mr. Satan!

DEADPOOL: Excellence, sir; this is a lab-reading for the quality of workers.

CRITIC: What's this work, Mr. Satan?
DEADPOOL: The 'chemistry' of water (or wishes).

CRITIC: For our vulnerable Ego of the Homeland?
DEADPOOL: For watches, sir (thanx).

Hey, maybe my critics are right, and I'm (ultimately) 'simply' an idealist in this vigilance-crusade to invoke sportsmanship 'chess' for social-media culture handshakes tying competition-education with globalism-rhetoric understanding(s) for the Ego. However, my Sabatini youth-fanzine 'trophy' image/item is (arguably) the 'right-stuff' for what signals a network civilization's consciousness regarding that 'tangible butter' of world-market shares in lifestyle/commerce 'linked' wish-craft (hmm).

INTERVIEW: You've a son from a previous marriage (to Esmerelda Pointe)?

DEAPOOL: Pointe, the Algerian fashion-model; divorce; sad, yes; my son (Damian).

INTERVIEW: What do you tell Damian about your interest in 'network' education?
DEADPOOL: Well, in this age of sports-access education for media, there's art!

INTERVIEW: Where's the 'art' education for your son (Damian) when you talk?

DEADPOOL: Funny you ask, sir; Damian thanked me for his birthday bedroom-set.

INTERVIEW: What was 'special' about that, Mr. Satan?
DEADPOOL: It was a college-athletics media/network culture design-print set.

INTERVIEW: Damian was happy...with this sports-bedroom designed space?

DEADPOOL: He said to me (ha), "This is America, dad...for the 'duke' of war."

INTERVIEW: Thanx!

DEADPOOL: Oh, thank you.