A Life: In Pictures/Bread

A Story by Abishai100

Narrated fictional life-bio of a prince whose examinations of himself and capitalism work draws a portrait of 'wrought' Western magic.

A portrait of an Earth-prince of great proportion and 'American' complications, inspired loosely by Catch Me If You Can (Leo DiCaprio).

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This is my story. It's a story of challenges and difficulty, dark intrigue, personal grief/failure, and eventual/hopeful redemption. It's the story beginning in the East, before I moved to America, into a very wealthy/prestigious family. We moved to Philadelphia and I struggled in my boy-years as I witnessed much crime outdoors and family challenges while indoors, and this ingrained in me a special sense of wonder about memory and memoirs, for social media storytelling (perhaps).

I graduated from the Ivy-League and became involved in capitalism-race rhetoric defenses in the post-9/11 era Homeland and worked with the 'chess' stalemate ideations of sportsmanship-linked American globalism ideology, dealing with problems like blood-diamonds and terrorism and creating political journals drawn from this world-immersion work/examinations/intrigue and offering special social-media/Selfie 'spiced' commentary for our American 'senses' of living safely (without fear/murder).

Before this experience of being a 'patriot' that would inspire me to create a 'cinematic' novel which won me the Pulitzer, I was a wayward youth, in my college years. I traveled to the beach of the West for an exchange program and dabbled in a wild night-life of experimentations and drew others into my 'consciousness' while working by day as a lab-assistant in various science buildings to 'enhance' my cognitive science(s) study/degree (Dartmouth). This was a foolish time of errors for this prince that led to one of my friends becoming an incarcerated criminal, but what would this invoke in me for social-media photo-graphics (later)?

Being a James Bond of blood-diamond work, performing masked/costumed bank-heists in Brussels, Quebec, Beijing, and Tijuana would draw in me a special fantasy about the 'sport' of capitalism-race defenses (for insurance with Interpol-relation perhaps!) that would inspire my novel about links between my fave social-media friendly activities (ice-hockey, basketball) and Homeland 'festivity' for materialism (e.g., Mardi Gras).

My whole life's been chess it seems to me. Perhaps because I dealt with a difficult early-boyhood family-conditions environment drawing in me a 'survival' attitude and then later moving me to 'adapt' after my foolish errs in college and then again to create this capitalism-race 'defender' portrait of wrought Edo-medicine for the Homeland (and myself!). This was (all) good for social media (irony!).

Today, I live alone in New England and work on my modern capitalism-philosophy short-stories about a 21st-Century Galatea, a mall-mannequin moving a pensive philosopher to link materialism with Romanticism, and this makes me feel like (for the first time in my life!) a 'priest' of Western/American vanities and soul, but it also makes me feel 'comfortably-distant' from that college-years moral failures that created in me a 'need' to find restoration and emotional redemption, and when I became a Catholic, I decided to create 'warm' cyber-photo collages about mannequins (wow).

It's hard to catch me. I'm not a 'normal' prince of America. I had to overcome much, regret much, and then think much, to become a 'diplomat' of the fortune-readings of this great Western civilization, and sometimes I wonder if Martians are spying on me to create the 'image' of Homeland vanities (for medicine!).

I also run a cyber-homeschooling program now, now that I'm retired from 'James Bond' work, and I think all this metaphysics of American-enriched materialism 'education' (and spirituality too) moves me to suddenly embrace this photo-graphic culture of lifestyle-shares (for 'social' medicine perhaps). I like designing toys for kids inspired by my work/activities with the colors and shapes of educational motivation, almost like a post-career painter (hmm).

The reason I'm relaying this life-bio in this picture-enhanced short for Homeland readers is to convey the cool ideation that life's special turns and colors can offer that ghost-image of what's certainly an American myth --- the 'normalness' of evolved/complicated 'brain' art (for all).

During my James Bond career, I had to deal with various blood-diamond Gargoyles from the underworld, and this would inspire me to think creatively about what makes capitalism-race 'consciousness' in the West a special 'science fiction' for the quality of wooden handshakes (for the spirit/memory).

Do I relate to someone like James Bond or Artful Dodger? I think so, and it's because of that incline of my life of emotions/experience, and I think this is all a reflection of my (currency) fascination with hospitality-plating and my (newfound) love of luchi-bread (sure). Indian cuisine can accent a modern American expression for consumerism defense(s).

What is it about the 'chess' of sports that I love (e.g., basketball/ice-hockey) that draws a capitalist consciousness in the modern American? This is something that inspired many an inquisitor, and I decided it would move me to create an 'adapted' novel which would win me the Pulitzer and encourage me to post Selfie-commentary about 'lifestyle' drawn patriotism (for the Ego).