Broadcast-News: Axiom

A 'bright' American news-network casts lights/romance for mod-Homeland drama (or theater) and may reflect a culture-reading for (pure) hostels-chess.

An American news/media network 'environment' vignette inspired by multiple films (e.g., Broadcast News). 

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AMLAN: Working for the American Broadcast network (Homeland) gave me a post-grad 'examination' for the quality of net-activity drawn journal-intuitions for our 'system' of faces in civilization's news-materialism (sure).

Amlan had become a special integral man in his beloved American news-network/station and considered his post-NYU work with journalism and TV-news anchorman presentations a thing of high-beauty for the characterization of priority/value in the Western (Homeland) landscape, and he'd been surrounded by a staff/cast of excellence and was constantly negotiating the complexity (and emotions!) of mod-civilization storyboards (for the Ego).

SHELBYE: This is our station, our nation, our creation; we make the news, we report it, we cast is as what's the image of capitalism-race 'chess' and Earthling matter, and it's all the record/history for interpretation...and creativity; so we really find (daily) this sort of personal view and sometimes negotiate our (own) sense(s) of romance/bread.

Shelbye had courted a relationship with Amlan, given their close-proximity for work/imagination for some-time but decided distance was (arguably) preferable since they'd been distracted on-set with their close-chemistry, realizing for now that journalism/news-work was a bigger priority (for the Ego) than personal court-matter(s). Regardless, their American broadcast-news station was a thing of pure Homeland genus, blending reliability with addressed unpredictability (for all!).

THEODORE: If we're to harness our excellence in personnel and outlook for story views and selection(s), we've to harness why the image of our faces for the American (modern) media/TV landscape inspires us to look at our stories as if they were our own; like this recent one about some blood-diamond awful nightmare stemming from Africa and reaching all the way to New England consumerism, touching one of our own hometown gem-stores for Xmas and 'coloring' some of our more 'respected' cyber-marketing ad-lines (sure).

SHELBYE: Remember all this, Amlan...our magic hotel...where we loved?
AMLAN: This is an assignment this round, my dear; diamonds are forever.

SHELBYE: I hate this story, man.

AMLAN: Everyone does; but consider the amenity for securities (now), drea.

SHELBYE: Good for social media (ok).

What's the story of blood-diamond smugglers/thieves affecting piracy/insurance highways linked with rogue terrorist cells? This was a serious story for Amlan's American broadcast-news station, and it colored his ex-affair with peer-Shelbye and forced him to wonder if their boss 'orchestrated' the assignment-teamup to 'encourage' their rekindling. However, Amlan seemed to feel more 'close' to the story (for now) than to his partner (hmm).

SHELBYE: Hey, I got us this 'relevance' film downloaded (Netflix).

AMLAN: Reminds me of another film I like (blood-diamonds, etc.).

SHELBYE: Just watch with me.

 

THEODORE: Get the quotes/reference(s) we need...for culture's marks.

"When you are given an opportunity to make a film like 'Body of Lies' - and I would put 'Blood Diamond' in the same category - of course you jump at these opportunities" (Leo DiCaprio).

SHELBYE: Why am I chosen to be the copter-lady for this coverage(s)?
THEODORE: Hey, you wanted 'safe-distance' from Amlan, ok?

SHELBYE: Damn.

THEODORE: Enjoy the camera-playtime (for now).

SHELBYE: Good for social media (sure).

Well, for now, things seemed manageable for Amlan's broadcast-news station but even now with some of the waves of romance/intrigue flowing, all folks involved and tuning-in had 'good' reason to suppose their work/imagination would cultivate a Homeland hospitality-feel for American outlooks on infrastructure/traffic sanity...for the soul.

TANDY: Thanx for inviting me to your suite after that news-coverage!

AMLAN: You're so attractive; and I'm fascinated by your film with Leo.

TANDY: It's a rather warm culture for capitalism's chess (no?).

AMLAN: News is life and media is emotion, it seems to me/us (right?).

TANDY: You're such a 'dashing' media-dude, Amlan my pal.

AMLAN: Are you flirting...because I guess I'm reciprocating?

TANDY: Good for social media?

As this story unfolded, and the 'characters' of this network 'environment' negotiated personals with socials, there was a nifty vigilante-playspace doodle contributed by one of the station's personnel/execs signifying a shared interest in the more youthful face of what made mod-Homeland storytelling a high-hand for (simplified) 'bias' (for all).

"Capitalism is the astounding belief that the most wickedest of men will do the most wickedest of things for the greatest good of everyone" (John Maynard Keynes). 

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"Money is everything" (Ecclesiastes)