Oracle-Stage: Apoc Redox

Two prodigy-writers of the Homeland create superstitious anarchy-tales, for capitalism-race 'chess' firelight.

A dystopia diorama inspired (very loosely) by Aeon Flux (MTV). Thanks for reading (and Happy Halloween), 

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A pair of psychics took-up residence at a special Homeland 'institution' of commercial traffic/comforts, the Courtyard, where they'd seek to use special cyber-culture 'image' consciousness for a social-media culture 'friendly' re-presentation of a very dark dystopian Apocalyptic 'examination' tale concerning incomplete-distances to (real) invisible anarchy created by the vertigo of capitalism-race 'chess' intelligence gone completely haywire, for the photo-graphics of emotional/visceral fortune matter.

The readers of this pair, at the Courtyard (American Homeland), had a great cyber-fanbase as they cast their series of animation/cartoon friendly dark-dystopian Apoc-dioramas/fables of the quality of complete fortune-IQ linked social customs/network 'insanity' or breakdown offering a 'Selfie' culture hellmouth mosaic of the 'frailty' of Earth-civilization ambition gauges. Their dystopian images/tales featured anarchy-limits 'purge' concepts of future-world (Apocalypse-level) ritualized 'street' demos of end-result consequences of unaddressed capitalism-angst for explosive/muscular envy (and piracy). This Apocalypse-diorama 'vision' created by this Oracle-theater pair at the Homeland Courtyard became a huge-hit for fans/readers invested in modern stories highlighting the 'superstition' of network-art(s) oriented budding-personality (for therapy!).

The Oracle-pair, an Algerian-American writer (Amlan) and a Danish mail-order-bride (Sabrina) would highlight a 'poignant' comics-villain 'avatar' named Pyro (Marvel) who captured all the 'furious' invisible anarchy stirring in the consciousness of the modern civilization spirit as an imprint of the impact of dense antisocial catharsis for backlash against the labyrinth-walls of capitalism-race bureaucracy measurements and would therefore be referenced 'repetitively' as a common-bond 'element-antigod' in these Courtyard cyber-dystopian diorama 'faerie-tales' about incomplete-distances to (real) social-psychiatry 'breakdown' for mass-fortune readings (for terror/distancing).

STORY_EXCERPT: "As Xmas-hopes approached, the oncoming social demonstration in the Homeland Windy City became a remonstrative capitulation of all the invisible Hell created by this darkened sky-time of silent murders of commercial ambition vitality, confounded by the invisible circle(s) of envious power-schemes of upward-mobility visions turned completely malicious or idealized, and the net-result of this 'awful-Purge' was the devastation of the street-culture flair of everyday-life (consumerism) avatars/cartoons of simplified vanities-storyboards (for children or brainiacs)."

Well, Amlan/Sabrina were quite the dystopian-cartoonists of this new age of traffic-confidence storyboard 'inventions' highlighting the discourse created by commerce/consumerism life 'negotiations' for antiterrorism confidence (or heat!). They became a real pop-cyber phenom-pair of 'psychics' for Apocalypse-vision dystopian storytelling about premonitions (or superstition!) concerning the skylines/building of 'Western' capitalism's bread (for isolationism/medicine).

AMLAN: This (Indian) luchi-bread thanksgiving plate is (all) hospitality.

SABRINA: Excellence; it shall complement the recent tale of food-poison!

AMLAN: Guessing this 'feed' for world-fare customs is remedy to terrorism.

SABRINA: Excellence; there's an 'air' for therapy in this invention of art(s).

AMLAN: What's so 'unique' about civilization-bread, darling?
SABRINA: You guessed it, sweet; the 'bread' of vanity makes metro-matter!

AMLAN: I feel like we've become the 'oracle' for fortune's wind.

SABRINA: That's what America offers/toasts --- the 'miracle(s)' of wording.

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)