Lady/Lancelot: Drive-in (Jersey)

Arthurian 'icons' reborn into 21st-Century Earth (America) find a 'drive-in' (movies!) examination lighting an antiterrorism 'path' for lead.

A Western environment/culture 'post-card' featuring iconic characterizations from Arthurian legends. Hope you like, 

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Lancelot and his spirit-guide Lady of the Lake had been reincarnated into 21st-Century America as writers for a Homeland-Jersey 'examination' concerning those pesky 'incomplete-distances' to Western social-media culture/traffic metaphysics (for the Ego).

Lancelot was now the Algerian-American journal-writer Aman Satan, working alongside his reincarnated Lady of the Lake, Ms. Ezzy Harris, in a special view for the hospitality-readings 'superstition(s)' of the outdoors/fields drive-in movie theater 'exercise' for social activity and handwriting(s) of culture/ritual/psychology and considered how/why the post-9/11 era American 'environment' offered the faces-of-personality for storytelling-magic (or darkness!).

AMLAN ('Lancelot'): Check-out this drive-in (Homeland-Jersey) view!

EZZY ('Lady'): This Liam Neeson film is the right-touch for autumn-IQ.

AMLAN: Space and lands and emotions of the human labor-variety!

EZZY: A method for 'transcendence' for our American age of terrorism?

AMLAN: Quite excellence, for a write-up of hospitality 'confidence' IQ.

EZZY: I feel like the story-mosaic for Earth's materialism-bread.

AMLAN: Perhaps for a capitalism 'race' language-arts.

EZZY: No slang (hmm)...good for photo-graphics/synthesis.

AMLAN: Intrigue for culture's sensitivity (surely).

Amlan (Lancelot) and the Lady (Ezzy) had created a 'fantastic' social-media sign-post for commerce/media/traffic 'consciousness' in this Homeland-Jersey re-presentation of the symbolism/psychology behind the hospitality-readings of the outdoors/fields drive-in experience of (shared) net-storytelling (cinema!). They'd reference special iconography and 'tokens' or trophies of the Western (American) net-board reflecting shares in activity and superstition and competition and bureaucracy, all with a post-9/11 era 'American' touch for materialism (wow). Was this good for social media?

AMLAN: There's a 'play' for sportsmanship's superstition for megatrends.

EZZY: Trending is a method/examination concerning activity-interest.

AMLAN: Interest is the 'remedy' for antisocial mist (e.g., terrorism!).

Amlan and Ezzy focused their Homeland-Jersey drive-in exercise/writing for a special autumn-rich small-town called Haddonfield in which they'd mark photo-graphics and pedestrian consumerism 'buzz' for an American lens of place-based language-arts. This was a counter-point for the 'slang' on Earth created by forms for antisocial terrorism (e.g., cyber-networks hackers!).

AMLAN: Let's choreograph a Haddonfield drive-in view for an Alien film.

EZZY: Excellence (for mysteries); a 'race' drawn board for language.

AMLAN: And materialism (hopefully).

Amlan (Lancelot and the Lady (Ezzy) toasted their Haddonfield-Jersey 'deed' with a world-exchange rich/symbolic soft-zesty (Indian) luchi-bread thanksgiving-diner plate chat(s) reflecting their new age work(s) with hospitality-readings facilitating the quality of capitalism 'race' superstitions (for lines).

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)