Lancelot/Lady: B+ Rhombus

Can media-culture 'reflect' a superstition(s) for democratic longevity?

A competition 'culture' fable drawn from the American college-media film Blue Chips (William Friedkin) and featuring 'iconic' characterizations from Arthurian legends. Thanks for reading, 

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Lancelot, complicated sword-knight of Medieval Europe, was reincarnated for a 21st-Century Homeland (Earth) ideation of competition 'education' alongside his oracle-guide, the Lady of the Lake, a mystical woman of metaphysics from the fabled kingdom of Camelot. Lancelot was now the American sports-writer named Amlan Satan, and the Lady was his consultant named Ezzy Harris.

SATAN (Amlan): Let's find a sports-media 'chess' image of securities!

EZZY (Lady): The post-9/11 era Homeland (USA) is 'art(s)' for readings.

Amlan (Lancelot) and the Lady (Ezzy) found a fantastic chess-stalemate diagram in the 21st-Century Homeland (America) of pesky 'incomplete-distances' to net-activity diagrams for traffic-securities/confidence for antiterrorism (post-9/11 era) commerce/media-life education.

AMLAN: There's this windows-access culture college-media geometry!

EZZY: Yeah, a 2/2/05 Duke-Forest 'chess-stalemate' rivalry-blueprint.

AMLAN: That (basketball!) game yielded a close-scoreline diamond.

EZZY: It sure did; Duke lost the heartbreak but its 3-pt. wizard shined!

AMLAN: Redick (Duke) put on a long-distance shooting theater for IQ.

EZZY: Wake Forest's Chris Paul was a balancing court-marshal (NCAA).

AMLAN: Such a social media accessible 'event' is 'American' justice.

Amlan (Lancelot) and the Lady (Ezzy) considered how this Duke/Wake-Forest (2/2/05) media-accessed college-basketball 'event' yielding a close-scoreline stunner, a Duke-heartbreak, and a Redick 3-pt. long-distance shooting-ambition 'rhombus' reflected a post-9/11 era Homeland (American) 'chess' ideation of the quality of traffic/net-activity calculations for everyday-life bureaucracy (sure).

AMLAN ('Lancelot'): Redick's performance was (all) court-fitness/magic.
EZZY ('Lady'): There's a 'play' for what's media/capitalism reflection!

AMLAN: This Duke-Forest windows-geometry offers 'social' bread.

EZZY: For the superstition(s) 'linked' with competition/ambition IQ?

AMLAN: Surely; and for the hand-write behind 'American' materialism.

Amlan (Lancelot) and the Lady (Ezzy) took-up residence at an iconic hospitality-readings reflective American hotel (NJ/USA) where they crafted/fashioned a special superstition-board for this 2/2/05 Duke-Forest scoreline-theater of 'geometric' ambition-symbolism in windows-culture and considered how their ideation of college-media (basketball!) 'academics' was an antiterrorism 'diagram' for the quality of capitalism-race 'chess' bureaucracy (sure).

AMLAN (Lancelot): There's a slant-square for Redick's media-chess IQ?
EZZY (Lady): Surely; this Duke-Forest 'stalemate' yields net-bread.

AMLAN: Securities created by social activity offers us magic for class.
EZZY: When terrorism and piracy threaten democracy, we uniform!
AMLAN: Duke's storied program was challenged by upstart Wake-Forest?
EZZY: This 2/2/05 Redick-Paul 'showcase' was a 'class' for American IQ.
AMLAN: The so-called 'slant-square' (rhombus) of Redick was patriotic.
EZZY: The post-9/11 era Homeland required a 'competition' node.
AMLAN: Access to competition/bureaucracy is a magic for longevity.
EZZY: Perhaps there's a 'play' for what's (simplified) needling.

AMLAN: Only for capitalism/windows (hmm).

Of course, the post-9/11 era America was (indeed) 'complicated' with matters of terrorism/piracy and commerce-flurries and surrounded by world-matters of complexity (e.g., Russo-Ukrainian War/Invasion) and required a special 'examination' for the burn/acidity of lifestyle woe(s), which is why Amlan (Lancelot) and the Lady (Ezzy) considered their Duke-Forest (2/2/05) 'chess-stalemate' diagram/worksheet/storyboard a special photo-graphic 'image' for what'd become a Western 'tag' for traffic-securities leviathan(s).

Amlan/Ezzy cheered their sports-superstition storyboard(s) with a special soft/zesty world-exchange symbolic (Indian) luchi-bread thanksgiving-diner plate chat(s) and considered (really) why that 'fantastic' Duke-Forest (2/2/05) 'chess-stalemate' stunner revealed/highlighted a special competition-culture 'jewel' of the 'shape' of ambition's long-history of 'wrought' mechanics. Was this a 'magic' for capitalism-race 'chess' symbolic/reflective work?

AMLAN: The Duke-Forest 'showcase' is a windows-culture language!
EZZY: There's a 'play' for the 'bread' of capitalism's duty-free readings.

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)