Faeries of American

Dioramic 'fable' of the advocacy of 'faeries' for the metaphysics dampening of world-politics for a 'light' in documentation.

An antiterrorism 'painting' inspired (very loosely) by the culture-access democracy 'charms' of My Fellow Americans (Peter Segal), which I hope you'll like, 

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FAERIES: "We're veiled in Earth-realm as citizenry for antiterrorism language-arts."

Are faeries real? Through the varied ages, they've been portrayed as special mythical and mystical 'beings' of tiny-size and winged flight and messages of wisdom or warning(s), and they certainly have the air of metaphysics intrigue, akin to dragons or detectives, and it's something that drew Sherlock Holmes author Sir Arthur Conan Doyle for a special view of that uncertain link between science and religion, and it concerns our tale here.

FAERIES: "We've special social-media collage-image for transit/defense stalemates."

So, in this 21st-Century of incomplete-distances to transit and traffic securities for confidence and consciousness, the faeries of American residence were disguised as everyday citizens, some as intelligence officers, and some as great artists, and they chose to tout the world-exchange 'symbolic' culinary-treat soft/zesty (Indian) luchi-bread thanksgiving-diner plate chat(s) to highlight the magical link between hospitality and antiterrorism. Were they telling us something deep about why terrorism in the modern Earth concerned the shaping and sculpting of customs and negotiations for capitalism and governance requiring incomplete-distances 'consciousness' for the 'bread' of diet?

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)