Oscar's Wired Star

Amlan Satan portrays a Wall-St. 'angel' (with a mail-order-bride depression) that prompts an Academy-Awards 'dollar' for what's Earthling-dyskinesia.

A nod to the culture-phenomenon of Western-Earthling 'diamond' that's become the Oscars, arguably a reflection of storyboards-dialysis, inspired by The Oscar (Stephen Boyd). Thanks so much for reading, 

DISCLAIMER: This work of media/fiction offers no ties to the Academy Awards and any intersection with any real-life story/event is purely coincidence and this is cast (therefore) as purely a 'personal' expression for social folklore (for 'open' comments). 

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Friends, Mr. Amlan Satan had made quite the 'splash' of Homeland media-culture and immigration/traffic 'consciousness' language-arts of the 21st-Century Earth of those 'incomplete-distances' readings for exchanges-linked socialization with his very-disorienting portrayal of an ambitious immigrant-investor (Elie Brahimi) on Wall-St. whose 'stranger discovery' of a mail-order-bride during the Russo-Ukraine War leads to a dyskinesia-ecstatic state that 'transforms' him into a world-capitalism 'superstitious' sensitivity-communicator for Blue-Planet detectives (for social media!).

The competition for the Oscars was quite impressive in the year Amlan Satan portrayed Elie Brahimi, which earned him the Academy Award nomination-title for Best Actor. The field included the fave-legend whose stark portrayal of ambition with American landscape 'governance' and was certainly the clear-frontrunner for the trophy for the media/immigration 'rich' American culture. However, Satan (Amlan!) was convinced his very-unusual portrayal of that investor-turned-sage in the American Homeland, riding around as best he could in his prototype-community, in his borrowed white-auto, voice-recording rants about democracy, was worth the contest this year (for social media dance!).

INTERVIEW: What the Hell happened, Satan?
AMLAN: They gave the nod to the fave, friend.

INTERVIEW: Disappointment, despite your own background as a minority/immigrant.

AMLAN: There's much gold 'colored' texture in Oscar-language for flares, friend.

INTERVIEW: Any friends you lamented with, cheerleaders of your bureaucracy-eye now?

AMLAN: I had to convince my diner-waitress lady-friend every prize's some distance.

INTERVIEW: Damn (American Homeland dowries).
AMLAN: Thanx...I'll be (just) dated.

INTERVIEW: Good.

EZZY (Girlfriend in real life): Sad, but you gift me this for V-Day now?

SATAN (Amlan): I needed the Oscar, Ezzy.

EZZY: Why didn't you tell any of your media-interviewers/pals, Mr. Amlan Satan?
SATAN: I read American Tragedy (Dreiser).

EZZY: Ballet-for-dialysis makes for any American dream of dancing-deformity, Mr. Satan.

SATAN: Without doubt(s)...thanx, Ezzy.

Why didn't he win? Well, Amlan learned a difference-detour post-loss, and he cherished his portrayal after all, and he still adored the American Dream, and media-culture, and he felt grateful for immigration-storyboards. He loved Ezzy. He liked making/getting her chicken-pie for the holiday-season. It was (only) the Oscar that seemed to elude him...not detective-work (for social media dictation!).

"Doing well is the result of doing good. That's what capitalism is all about" (Ralph Waldo Emerson). 

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"Money is everything" (Ecclesiastes)