Experience cannot be bought with a song and wisdom cannot be bought with a dance. Yet, if these must be bought with all one has, what if song and dance are all I have?
I have no home; I have no family. I perform for money with songs and dances of my own creation, songs of withered fields and corn-laden wagons, my body moving of its own accord in time to my music. The people who pass by pay more for songs of happiness, of innocence, than they do for songs of the dead, the destitute, the slaughtered lambs. They do not want to hear about suffering, as if pretending it does not exist makes it so. They are fools.
Suffering exists everywhere, in the satanic mills, the soot-coated chimneys, the dark corners of London. I see the danger in the hungry eyes of men watching me dance, the danger of a different kind of suffering, one that finds no place in my songs. I am not prepared to share that particular brand of experience.
Fear. It accompanies my music as one of my few possessions. Perhaps I do have more to offer... or perhaps what I once had to offer has already been taken from me, in the forms of dead parents and sisters, a home ablaze, my own body held face-down on the grit-encrusted workhouse floors.
My audience is watching me expectantly; I have stopped dancing. A mother drags her child away, but not before the small boy tosses a handful of coins onto my discarded scarf. I smile at him and the mother pulls with greater urgency. I cannot blame her. To the safe, the healthy, I am womanly danger personified. My skirt is inappropriately short, exposing my ankles, and torn on one side, revealing a knee and slice of thigh. My corset reveals my pale arms and the top half of my squashed breasts. My lips are a vivid red, as if comprised of blood rather than skin, and my dark eyes have long died. I understand why men watch me. I am beautiful, yet just broken enough to follow a man to bed for the promise of food or money... or love, no matter how insubstantial or brief.
The mother and son are gone. I twirl in place, raising my arms, and construct new words and a melody. If I cannot collect enough coins, I may need to steal food and risk hanging, unless I lure a man instead.
So I dance and sing, resigned to this life. My gaze wanders through my male crowd. I find my victim " tall, blue-eyed. Young. Clutching a bowler hat as if his life depended on its destruction. He will do.
Experience cannot be bought with a song. Wisdom cannot be bought with a dance. I have already amassed enough experience by giving up all I own. Wisdom is not mine; perhaps it never will be. I am nothing but a fallen woman, after all, using song, dance and my body, my experience, to survive. Not live. Survive.