This reminds me of the saying 'you can take the girl out of the country, but not the country out of the girl.' it's good to know where you belong, and even better if you get to live there. Nice job.
A lovely and thoughtful haiku that highlights the incompatibility of the straight-edged urban world and the rugged wild.
It's only natural for readers to see multiple possible interpretations of any poem. For instance, I juggled with the idea that this haiku was criticizing the practice of keeping wild animals in captivity in human-centered establishments, but I didn't pick up on any critical or scolding intent as I read through the poem. It felt as if you were merely pointing out a natural fact, something that deserved to be acknowledged by all.
I tend to lump haiku in with all the other types of poems, but I do know that haiku stick to the 5-7-5 syllable rule. While I'm not a stickler for syllables and meter so much as being able to understand the message that needs to reach the reader, I did think it was odd that the second line cut off at "not" rather than completing at least a fragment of a thought. For instance, I might have reworded the second and third lines/completely disregarded the syllable rule in order to avoid this. For example, I might have done this:
a) ...has a jungle rhythm/not suited for concrete
b) ...beats to a jungle rhythm/not meant for concrete
...but that's why you're the poet, and I the reader! I was never much of a poet anyway, so don't pay any special mind to what I said there. It was just a neutral comment on how you chose to treat those last two lines, and honestly, I think the way you handled them was interesting. I wouldn't have thought to end the second line on "not," but by doing so, you force the reader to string the second and third lines together in order to formulate a "full" fragment of a thought (oxymoron, I know, but I'm not sure how to phrase it. I hope you understand what I'm trying to say, though Dx). If you had done something like variation a), this poem wouldn't have been a haiku. If you had done something like variation b), the reader could easily insert a pause between the middle and last line, dividing this "fragment" into two parts. But I realized after reading through this haiku that the sentence reads smoothly, with only one break - between line one and line two. And this break emphasizes the rhyming of "heartbeat" and "concrete" - very nice, I liked that.
Very impressive work! I don't think this review was constructive at all - so just know that I appreciated reading this haiku, and I hope you continue to share more of your work with us. Happy writing! :)
-Mina
Posted 13 Years Ago
Well that must have been a jackhammer lol :D wildly beautiful!
Glad to be back for a bit, and read this lovely art again he he
This one I can feel in my soul. Too many tiger's on concrete. More than you may know.
A technical question for my education; Robbie descibed it as a Senryu, it has the 5/7/5 syllabels and a reference to nature, albeit no reference to the seasons, why is it not a Haiku?
Posted 13 Years Ago
13 Years Ago
I guess I don't see it as nature but rather wild life... I guess come to think of it you can see it .. read moreI guess I don't see it as nature but rather wild life... I guess come to think of it you can see it either way depending on your view. Thanks for the review.
It's better to be dead and cool than alive and uncool
About
Birth name: Dale Deadmond
Born November 20th, 1969
Metaphorically speaking music is my BFF and poetry is my soulmate.
This is my world of
my favorite poets are E.A. Poe, Dylan Thomas, R.. more..