The potency with which you write is astounding. There are point where the writing feels near abstract, but tug me back into the realm of consciousness... Beautiful write again Dana
The potency with which you write is astounding. There are point where the writing feels near abstract, but tug me back into the realm of consciousness... Beautiful write again Dana
The interplays of light and blindness, and how that works on many levels, is handled deftly, masterfully here. The final few lines, invoking that which is "so ferocious, so lacking/ in compassion" and the final image of testes turned into glass (and none for me, thank you) is stark, chilling, the evidence of a horrible and otherworldly force. It's so easy to turn occasional poetry into some rote Wikipedia entry, some movie newsreel of days gone by; this has flesh, blood, and teeth.
My birthday is August 7. It always bothered me on a very profound level that the most significant historical event (that we know of) to have occurred on my birthday is that in-between gloaming: the horror of the world waking up to Hiroshima; the brief respite before the storm of Nagasaki. Truman never made apologies for his decision, and I respect him for that. We have elevated the status of these events to myth; and forgotten the context: my some accounts, the fire-bombing of Dresden was "worse," if qlliafication can be given to such events as the complete destruction of entire cities, cultures. The madness had to end; Truman had complete yet incomplete information to work off of. Jews went back to anti-Semitism; the Roma to their own prejudices; Stalin starved his country into submission while nobody noticed. Japan picked up her grief and wove it into her culture and resolution to move froward on the back of technology. When we look back, will it be the scenes of devastation themselves, or the horror of what one single weapon, one single mistake, one single act of arrogance and ego, could do to the entire world? Have we learned a single damned thing? I have studied the same scenes you have; empty playgrounds, shadows of those vaporized, ravaged trees, sheets of fused glass. Lines that have no destinations to carry their electricity to. The only answer I can come up with is that we need to stare these things in the face and ask some hard questions about what we want our futures to look like. Of this I am sure: if we do not question our humanity, we will lose a great part of it.
and you are so very right, that things march through our own lives with equal devastation and destruction. I have the hunch, though, that human kindness makes them more bearable than they otherwise might be. And I feel like that kindness is what we are losing, every year, bit by bit.
...There is a density to being blind. A
blind girl can feel the trees coming;
that process that conducts light impulses...
I wonder how different this world would be, if we had less eyesight and more of other feeling, touch, or feeling physically, into another's emotional space-- would there be more peace? Words are never enough sometimes-- for there are moments when we need this, more than anything-- light, that can be shown right through, to expose all that is in our contemptible hearts, an x-Ray view of inner truth. Poetry, tries its best, to be that illuminant, for we write what is most vibrant in our hearts, and not on things that never find their way into our heart space.
Anyway, I love the way you open this-- and the way you close this poem as well, the darkest dim approach of spiders, for that was probably the sound that came first, and the everlasting sound that remained afterward. I have been to Hiroshima, twice actually, and walking through those melted wax museums, makes me, as an American, want to dissapear...