FLINT.A Poem by h d e rushindEAR, At the poetry festival no one spoke to me carrying the ghost of Flint around, wanting someone to hug it. So I sat on the ground in my good pants till it was dark and thought up love poems when there was no lover; thought of those that thrashed at me and chewed my gulp down till I bled over and over the new entry in the old journal. And it takes some nerve writing about you. Fiction always takes more courage to construct. it's the meter of the protagonist, like horse hooves, the way applause cages truth, the same gestures of proof requisite in porn actresses who utter into lonely ears on webcams...."I know you need me, so tell me that you do". As children we loved to ride in my uncles Buick, the ones cranked out by the strong men who worked in the giant General Motors plant poisoning the river. But who really cared? In America you can easily build a fire and call it light or warmth or destruction depending on where the heat is greatest/ as we rode down Franklin Street the windows cranked down and the strong air blowing my sisters hair to straw patches, I remember the vast tract of homes and shops, boots in winter with silver buckles, mittens you made a chilly fist in in winter, ear muffs that slid around your head like some furry, extinct bird. And today my cousin has a gay son who flames away and keeps late company in the cracked driveway of a house with an underwater mortgage. What I mean is that democracy ushers you through poverty, the escapist euphemism of it, where you name it devotion, butter sandwiches or sugar toast all carried in your Superman lunch pails to good but segregated schools. And it filled you up with knowledge and sustenance because, as Dad would remind us, "somefolkskidsdon'thaveshittoeatatall" which was enough warning to just be satisfied. So I grew up to watch the "Exorcist" alone and read of how Whitman would search for his brother for two whole weeks after the battle of Fredericksburg, only to find him with a chipped tooth and a slit on his cheek from a musket shell, which was enough to throw him headfirst against suffering....ALL SUFFERING. Because hell is anywhere that love is mishandled. So my turn came to read the poem I wrote about you and someone gave me a live microphone and I read soft the hard parts and hard the soft parts and no one could tell from the way my hair had grayed that it was the brown water all along that every protest poem written till eternity, should be about. © 2016 h d e rushinFeatured Review
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