The last three lines are very powerful in expressing disappointment. This is a good story tumi and you chose some great words to convey the right feelings. We have all been rejected some time and it teaches us so much about life. Maybe, it's necessary to become better persons. Well done.
The last three lines are very powerful in expressing disappointment. This is a good story tumi and you chose some great words to convey the right feelings. We have all been rejected some time and it teaches us so much about life. Maybe, it's necessary to become better persons. Well done.
You’re saying things, yes. And they’re meaningful to you because in your mind lies the background that makes the words meaningful to you. But that story never made it to the page. There, instead of cause and effect, we get only effect. So what meaning does the reader have? What the words suggest to THEM, based on their life-experience, or, the context that you supply. And since you supply none, look at the words, and their meaning as the reader views it.
• SHE LEFT ME IN UTTER DISAPPOINTMENT
So an unknown "she,' of unknown age, situation, and relationship, left someone of unknown gender, age, and situation. And in leaving this person was severely disappointed for unknown reasons.
What can the reader do, at this point, but say, “Huh?”
• My mood swings and swings
From what to what? You know, and you have intent for the meaning the reader is to take, but you give them nothing to work with. And clarifying later cannot remove the confusion they feel as they read your words.
• My mind recalls some imaginary things
“Some?” So, more than a one but less than “lots?” And what in the pluperfect hells are we to envision as those “imaginary things?” Dragons? Endless love? An honest politician? The list is endless. There is a world of backstory, characterization, and setting that would be both relevant and necessary. And for you they exist. So...you react to them, based on your experience, background, and intent — which-you-never-give-the-reader.
Absolutely, we write from our own chair, based on our life-experience and desires. But we MUST edit from the seat of a reader, one who lacks any context that the words don’t supply or suggest as those words are read, because without context the reader has only words in a row, meaning unknown. Confuse your reader for one line and they’re gone.
Read that book I suggested. The skills of poetry have been under development for centuries. Take advantage of that. As Wilson Mizner famously said: “If you steal from one author it’s plagiarism; if you steal from many it’s research.” So...research!
https://www.docdroid.net/7iE8fIJ/a-poetry-handbook-pdfdrivecom-pdf
Sorry my news isn’t better. But you did ask. So...